Posts Tagged ‘#borders’

Border Crossings: From Palestine to Mexico

Khaled Jarrar. Khaled’s Ladder, 2016; made from parts of the Mexico/USA border. Courtesy of CULTURUNNERS.

From our sister publication Art Practical today we bring you an article published in Issue 8.1: Art & Citizenship. Author Genevieve Quick considers Khaled Jarrar’s ongoing project Live and Work, which interrogates the borders between Palestine and Israel, and Mexico and the United States. Quick states, “As larger geopolitical issues are debated between international politicians, Jarrar uses art to enact seemingly small gestures that empower himself as an individual,[…..]

Best of 2013 – #Hashtags: The State of Art: Bangladesh, Portugal, Greece, and Palestine at the Venice Biennale

Continuing our Best of 2013 series, today’s pick comes from co-founder and former managing editor Julie Henson, who explains her choice: “The Venice Biennale is the Olympics of the art world. An event of this scale always manages to reflect the state of the artworld in both intended and accidental ways — drawing parallels between complex relationships such as nationality and race, or economics and globalization. That’s[…..]

#Hashtags: The State of Art: Bangladesh, Portugal, Greece, and Palestine at the Venice Biennale

Joanna Vasconcelos. Valkyrie Azulejo, 2013. Handmade woolen crochet, fabrics, ornaments, polyester, LEDs and electric system. Dimensions variable. Portuguese Pavilion, 55th Venice Biennale. Courtesy of the artist and the Transtejo – Transportes Tejo, S.A., Lisbon. Photo by the author.

#politics #statehood #borders #biennials #nationalism The Venice Biennale is fundamentally shaped by its founders’ belief in statehood. Each nation-state secures its site, much like an embassy, and asserts its self-image through the choice of curators and artists. Four pavilions at the 2013 Biennale demonstrate how the notion of the nation-state is constructed and deconstructed in the face of contemporary global pressures. For Bangladesh, the pavilion[…..]