Posts Tagged ‘Boston’

Marilyn Arsem: 100 Ways to Consider Time at MFA Boston

Marilyn Arsem: 100 Ways to Consider Time at the Museum of Fine Arts Boston, performance still. Image Courtesy the artist and the Museum of Fine Arts Boston.

I visited the Museum of Fine Arts in Boston on the 68th day of Marilyn Arsem’s 100-day-long performance exhibition, 100 Ways to Consider Time. The premise behind Arsem’s exhibition (which exists, it seems, as one piece or work) is that the artist will be on-site, situated in a gallery inside the museum, for each of the 100 days of the show. As the museum is[…..]

Nicole Cherubini: Golden Specific at Samson Projects

From our friends at Big Red & Shiny, today we present a review of Nicole Cherubini’s exhibition Golden Specific. Author Zach Horn notes, “The sculptures in Golden Specific are emphatically contemporary but with significant history, like the punky offspring of a storied dynasty.” This article was originally published on November 23, 2015. Golden Specific, Nicole Cherubini’s exhibition at Samson Projects, is meditative. The gallery’s white box is punctuated[…..]

The James & Audrey Foster Prize at ICA Boston

Sandrine Schaefer. Acclimating to Horizontal Movement (Wandering with the Horizon), 2015; performance. Courtesy of the Artist. Photo: Nisa Ojalvo.

Until now, the ICA Boston’s Foster Prize has been relatively traditional. It begins with the museum’s announcement of a short list of artists who participate in its biennial. From there, an independent panel of judges selects one winner, who walks away with a cash prize. This year’s Foster Prize is different. The ICA’s Associate Director of Performing Arts, John Andress, and Senior Curator, Jenelle Porter,[…..]

Cullen Washington Jr.: The Land Before Words at 808 Gallery

Untitled #4
2013
Canvas, paper, tape, found materials
7.5 x 7

From our friends at Big Red & Shiny, today we bring you a review of Cullen Washington Jr.’s paintings at 808 Gallery at Boston University’s College of Fine Arts. Author Shawn Hill points out, “Washington has embraced the American tradition of the readymade (Duchamp) and junk art (Kienholz) in creating these paintings, which draw from the past but refer to the still-charged state of race relations and[…..]

Green Dream at kijidome

Tara Merenda Nelson (with Madge of Honor). Beautiful Secrets, episode 2, 2014; video still.

From our partners at Big Red & Shiny, today we bring you a review of Green Dream at kijidome in Boston. Author Edmond Caldwell notes, “Individually and collectively, the digital videos that comprise kijidome’s Green Dream come to no easy conclusions and issue no final statements. Instead, they leave the audience to continue the collaboration in their thoughts and discussions.” This article was originally published on February 19,[…..]

Fan Mail: Tara Sellios

Tara Sellios. Untitled No. 3 (from the series Lessons of Impermanence), 2009; digital C-prints; 40 x 60 in. Courtesy of the artist.

The still life is an artistic form that has captured the interest of Pieter Aertsen, Pieter Claesz, Diego Velázquez, Eugène Delacroix, and Giorgio Morandi, to name just a few. Boston-based artist Tara Sellios has also delved deeply into the construction of the still life and the ideas often associated with it—life, death, the question of permanence, and the intricate use of symbolism. What makes Sellios’s[…..]

A Moment with “The Man”: Thoughts on Ragnar Kjartansson’s Recent Work

Through his refreshing lack of self-seriousness or sanctimony, Ragnar Kjartansson has cut a jagged, joyful figure on the contemporary art scene. Indeed, with solo exhibitions in Boston and New York, the artist has recently been favored with the art world’s fickle attentions and is having something of a well-deserved moment. Ragnar Kjartansson, “The End–Venice,” 2009. Performance view. Venice, June 2009. Courtesy of the artist, Luhring[…..]