Posts Tagged ‘California College of the Arts’

DSAP Executive Director Patricia Maloney to Join Southern Exposure

Southern Exposure in San Francisco, California.

Hail and farewell! Today we are both pleased and sad to announce that our executive director, Patricia Maloney, will be leaving us to become the new executive director of Southern Exposure in San Francisco. Below is her valediction to our readers. We hope you will join us in thanking her for her years of service to the publication, and in wishing her the best of[…..]

Interview with Anthony Huberman

Joan Jonas. Still from 
Volcano Saga, 1985/2011; 28 min, color, sound.

Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy for presenting and thinking about contemporary art. As the founding director of the Artist’s Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be[…..]

Painting Expanded

Tom LaDuke, Run Generator, 2009. Graphite, glue, mirror, 6 x 19 x 9 1/2 inches

As a part of our ongoing partnership with Art Practical, today we bring you Leigh Markopoulos‘s review of the recent Painting Expanded Symposium at the California College of the Arts in San Francisco. The one-day symposium was held on April 13, 2013 and included presentations and panel discussions with ten internationally-known artists from around the United States. On Saturday, April 13, 2013, ten artists representing[…..]

The Way Beyond Art: Infinite Screens

As a part of our ongoing partnership with Art Practical, today we bring you a feature from writer Genevieve Quick. In her piece, The Way Beyond Art: Infinite Screens, Genevieve explores the 5-channel video installation Hearsay of the Soul, 2012, by acclaimed artist and filmmaker Werner Herzog. As the fourth and final installment of its exhibition series “The Way Beyond Art: Infinite Screens,” the CCA Wattis Institute for Contemporary Arts[…..]

Fabricators: Blurring the Insider/ Outsider Boundary

There have been many times when I have felt uneasy looking at group shows of “Outsider Art”. There can be some crowds, and lots of things for sale, and a lot of people buying them, but mostly what can cause apprehension as a viewer is the wild range in the work. Often there is no thematic or formal thread that could tie all of these[…..]

101 Collection: Route 2 Undisclosed Destination

Today’s article is from our friends at Art Practical, where Dena Beard discusses the group exhibition Route 2: Undisclosed Location at CCA‘s Wattis Institute for Contemporary Art. Route 2: Undisclosed Destination investigates the idea of a West Coast aesthetic as both a decoy and an impresario. In a truly complex approach by a new curator, location is a curatorial device that situates, and sometimes subsumes,[…..]

Jordan Kantor

The press release for Jordan Kantor‘s self titled exhibition, currently on view at Ratio 3 in San Francisco, provides readers with little more than a physical account of what the exhibition includes: “several paintings on canvas, some in oil, others in enamel, two looping slide projections,” etc. This type of opacity in the actual content of the show seemed frustrating at first, but after a[…..]