Posts Tagged ‘Canada’

La Biennale de Montréal: Le Grand Balcon at the Musée d’Art Contemporain de Montréal

Anne Imhof. Angst III, 2016; performance. Courtesy of La Biennale de Montréal. Photo: Jonas Leihener

There is admittedly a little bit of confusion when one arrives at La Biennale de Montréal’s main venue, the Musée d’Art Contemporain (MAC), for a great part of the biennale does not in fact take place at the MAC. With eighteen satellite venues beyond walking distance and inaccurate information from its front-line stewards, trekking through extreme winter conditions in the land of the tragic 19th-century[…..]

Lawren Harris: The Idea of North at the Hammer Museum

Lawren Harris. North Shore, Lake Superior, 1926; oil on canvas; 40.25 x 50.13 in. Courtesy of the National Gallery of Canada. ©Family of Lawren S. Harris. Photo: ©NGC.

“You need to understand, Patricia, that every Canadian recognizes these paintings,” so explained my friend and guide, a native Torontonian, as we walked through The Idea of North: The Paintings of Lawren Harris at the Hammer Museum. “Canadians who have no other art-historical point of reference know who the Group of Seven are.” This school of early 20th-century Canadian landscape painters occupies the periphery of[…..]

Fan Mail: Gillian Willans

Mise-en-scene: Prelude, 2013; acrylic, oil on canvas; 11 x 14 in. Courtesy of the Artist and Telephone Booth Gallery, Toronto.

For this edition of Fan Mail, artist Gillian Willans of Edmonton, Alberta, Canada has been selected from our commendable reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with “Fan Mail” in the subject line. Gillian Willans’s series Mise-en-scène: The Paris Suite is on view at the Telephone Booth Gallery in Toronto,[…..]

Artificial Two-Step: Elizabeth Zvonar’s Banal Baroque

Elizabeth Zvonar, Cummy Loubous, 2013. Porcelain. (installation view) Image courtesy of Daniel Faria Gallery

A distressed pair of white porcelain shoes with red soles and a cast golden index finger seductively beckon you upon first entering Elizabeth Zvonar’s exhibition Banal Baroque at Daniel Faria Gallery in Toronto. The heels of the shoes are warped, the feet inside almost brainy in texture. Sawed off abruptly at the base of the ankle, the feet, shoes, and the vibrant red soles are[…..]

I am not there and I am not here

Jamelie Hassan, At the Far Edge of Words continues to October 14 at the Museum of Contemporary Canadian Art, 952 Queen Street West, Toronto, Ontario.

Although difficult to generalize, a common theme ties together the exhibitions currently on view at the Museum of Contemporary Canadian Art (MOCCA) and the Art Gallery of York University (AGYU). “At the Far Edge of Words” and “Imaginary Homelands” engage on some level, with the complex reflections of the artists cultural identity in relation to their exchanges with western culture, concepts of otherness, and navigating the[…..]

Fan Mail: Eszter Burghardt

DailyServing.com selects two notable artists each month from the submissions we receive to be featured in our series, Fan Mail. For a chance to have your work appear below, with an article written by one of the DailyServing contributors, please submit a link to your website to info@dailyserving.com, subject: Fan Mail. You could be the next artist in the series! (We will try to contact[…..]

Robert Lendrum: I’ve Been Shot

In the 1988 action film, Die Hard, John McClane (played by Bruce Willis) hustles around a Los Angeles skyscraper—sweat-soaked and shirtless—in an effort to save his wife and other hostages from a ruthless terrorist group. At various points throughout the film, McClane (an NYPD officer) survives a partial jump from an exploding building and smashes through a plate glass window. Basically, he is injured to[…..]