Posts Tagged ‘capitalism’

Michael Waugh: Boom at Von Lintel Gallery

Michael Waugh. Derivative (FCIR, part 5), 2015 (detail); ink on mylar; 42 x 65 in. Courtesy of the Artist and Von Lintel Gallery.

Michael Waugh’s first solo exhibition in Los Angeles, Boom, is currently on view at Von Lintel Gallery. Using ink on Mylar, Waugh reimagines an assortment of 19th-century tableaux, depicting quaint scenes of countryside estates and horse stables, as well as turn-of-the-century buildings on New York City streets. These representational drawings consist wholly of handwritten text: Scribbled sentences produce the contour lines of buildings as they[…..]

From the Archives – Post-Fordlândia: A Critical Look at a Failed Development

Factory

Today we bring you a look back at the videos and photographs of Tom Flanagan and Megs Morley, whose project Post-Fordlândia explored the famous village created by Henry Ford in 1928. Author Tori Bush draws parallels between this forsaken 20th-century urban planning project in the Amazon and its counterpart in present-day New Orleans. This article was originally published on September 6, 2012. Post-Fordlândia, the new exhibit[…..]

Help Desk: Is It Any Wonder?

On the left, Kinkade's "Cobblestone Bridge" and on the right, Hirst's "Methoxyverapamil" (1991). Actually, I think they look kind of good together! (images: guardian.co.uk, respectively)

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. What are your thoughts on Thomas Kinkade? Since this question was written to me before the maestro died, I’m going to answer it aside from the issues that[…..]

Help Desk: Visual Recognition

bild_08_sigmar_polke_ohne_titel_1973

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. I’ve noticed a trend of not putting any information about the artist, including labels, on the wall. I get that the idea is to make the viewer just[…..]