Posts Tagged ‘career’

Help Desk: The Ethics of Application Fees, part 2

Jean-Luc Moulene. Tronche / Avatar (Paris, April 2014), 2014; Polished concrete, blue blanket
15 x 10 5/8 x 11 in.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. What are your thoughts on application fees for residencies, fellowships, and exhibitions? Typically the odds of being selected are very long, and the vast majority of artists who apply for opportunities aren’t swimming in[…..]

From the Archives – Help Desk: On Being “Discovered”

Philippe Parreno, La Batalla de los Patos, a documentary project with Rirkrit Tiravanija, 2003, 2013. Screenprint, printed in phosphorescent ink, 39.5 x 55.5 inches, edition of 6

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m just about to finish my first really serious series of paintings, and I’m curious about which approach is the best for self-promotion. Is it better to go all out and[…..]

Help Desk: Friends with Benefits

Allora & Calzadilla. Body in Flight (Delta), 2012; Carved and stained wood; Dimensions variable.
Installation view: U.S. Pavilion, 54th International Art Exhibition, Venice, 2011. Photo: Andrew Bordwin

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. A few months ago I tried to collaborate with a good friend, but we didn’t complete any work. It’s not that we spent the time just hanging out—we worked, but it[…..]

Help Desk: The Biggest/Littlest Decision

Louise Bourgeois.
The Curved House, 1990; Marble, 14 x 37 x 13 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’ve now reached the age where the question regarding children has become increasingly relevant. To have or not to have? How does a successful artist combine her career with her[…..]

Help Desk: Stop, Thief!

Raymond Pettibon. No Title (Are your motives), 1987; ink on paper.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. Last year I made a sculpture that was technically rather challenging but resulted in something I thought was a successful piece, which I displayed in a small group show. It’s[…..]

Help Desk: Friends in High(er) Places

Heidi Bucher. Hautraum (Ahnenhaus), 1980-82; Courtesy Freymond-Guth Fine Arts, Zürich

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here: http://bit.ly/132VchD. All submissions become the property of Daily Serving. I work at a museum, but not as a curator or any similar position that might have influence over content. I am sometimes approached by artists (friends, associates, acquaintances,[…..]

From the Archives – Help Desk: Lazy Art Critic

Francesco Vezzoli, installation view of Olga Forever! The Olga Picasso Family Album at Almine Rech Gallery

In case you missed it, we’re pulling today’s Help Desk from our archives! Submit your question about making, exhibiting, finding, marketing, buying, or selling art using our anonymous submission form: http://bit.ly/132VchD. All submissions become the property of Daily Serving. Today’s article was originally published on March 18, 2013. An art critic who writes for a local newspaper recently approached me. He wants to review a recent[…..]