Posts Tagged ‘Collage’

Fan Mail: Joe Webb

At The Gallery, 2013; collage; 10 ¾” x 9 ¼” inches. Image courtesy of the artist.

In Joe Webb’s Stirring Up A Storm (2014), the nearly full moon peers resolutely down like a removed voyeur, while a continent-sized Sunbeam Mixmaster Junior (an electric mixer from the 1950s) stirs Earth’s atmosphere with its twin silver beaters to create massive, hurricane-like weather patterns. From the description alone, issues of global warming and energy crises come to mind; however, the well-crafted humor, imaginative aesthetic,[.....]

John Sparagana: Crowds & Powder at Corbett vs. Dempsey

John Sparagana. Crowds & Power: The Revolutionaries, 2013; archival inkjet prints with oil stick, sliced and mixed, on paper; 58 x 92 in. Courtesy of the artist and Corbett vs. Dempsey, Chicago. Photo: Tom Van Eynde.

John Sparagana fatigues images by manipulating them. First he scans pictures and runs off inkjet prints, then he crumples the pictures in his pocket and kneads the glossy paper for days or weeks until the sheet’s fibrous structure is loosened. The result is a soft fabric more than double in size, with its original image lightened and diminished on the new surface, appearing like a[.....]

Fan Mail: Matt Hendon

Matt Hendon. Third Pilot, 2013; mixed media; 8 x 10 inches. Courtesy of the Artist

Matt Hendon’s ongoing body of work in mixed media, Everything That Can Expire, is about challenging himself: first, to reimagine what it means to work with images instead of creating drawings or illustrations; and second, to create compositions that complicate his own and his viewers’ visual aesthetic sense. In addition to being a visual artist, Hendon works as a designer, and there are interesting and[.....]

Julie Cockburn: Slight Exposure at Yossi Milo Gallery

On entering Yossi Milo Gallery, the viewer is thrust into a bubblegum-bright world. Dull, vintage vacation snapshots and the strained smiles of a graduation portrait are transformed into photographs reminiscent of greeting cards. Through sewn-on balls and lines, and Sharpie-thick strips of thread, artist Julie Cockburn playfully graffitis each photograph. But a surreal, eerie quality belies their perky facades. Cockburn creates this effect using found photographs from[.....]

Collages Meditate on the Female Psyche

Flore Kunst. Pise-up, n.d.; paper collage.

As part of our ongoing partnership with Beautiful/Decay, today we bring you the work of artist Flore Kunst. Kunst lives in and works in Lyon, France, and states that her collages “seem to emerge by chance.” The article was written by Stacy Dacheux and originally published on August 9, 2013. Mixing an admiration for John Baldessari with her own childhood memories of cutting/altering magazines with her mother, Flore Kunst creates captivating[.....]

The Raw and the Resplendent: Kathryn Parker Almanas at Yellow Peril Gallery

Visceral, bracing, potent, Kathryn Parker Almanas’s Pre-Existing Condition, currently on view at Yellow Peril Gallery, is a collision of sensory extremes and formal nuances. In large-scale color photographs and small-scale collage works, the artist pictures and probes the physical body, both its corporeal effusions and existential implications. The result is an intensely vital, deeply disorienting study of being, sensation, and the intersection of inner and outer[.....]

Supertheory of Supereverything: Interview with Eric William Carroll

GUT FEELING Installation Photos-5 RE-EDIT

Like many in the scientific community, Eric William Carroll is searching for an ultimate theory of everything, but he’s doing so in a slightly different way. For G.U.T. Feeling, the current exhibition at Highlight Gallery, Carroll utilized aspects of the scientific method in combination with personal associations to create a series of collages, photographs, and sculptures that expose the unexpected, overlooked, and sometimes comically dubious connections in[.....]