Posts Tagged ‘Collage’

Saying Yes to Everything at Honor Fraser

Ray Yoshida. Comic Book Specimen #1 — Right Profile, c. 1965; Collage on paper, 22 x 28 in. Courtesy of the estate of Ray Yoshida. Photo Tom Van Eynde. Collection of KAWS, New York.

Saying Yes to Everything, an exhibition featuring nineteen artists working in collage, recently opened at Honor Fraser Gallery in Los Angeles. On display are a range of works made between 1960 and the present day by both established and emerging artists. The title is a commentary on the essential inclusivity of collage. But understanding the medium’s place in art history can help the viewer appreciate[…..]

Deborah Roberts: One and Many at Art Palace

Deborah Roberts. Untitled No. 33, n.d.; Mixed media on paper, 14 x 17 in.

From our friends at Glasstire, today we bring you a review of Deborah Roberts’ current solo show at Art Palace in Houston, Texas. Author Betsy Huete notes, “To make political work without literally telling the viewer how he should think or feel is a tall order, yet Roberts pulls it off masterfully by intertwining the personal with the ideological. She infuses her work with subtle yet powerful[…..]

Wangechi Mutu: A Fantastic Journey at Mary and Leigh Block Museum

Wangechi Mutu. Suspended Playtime, 2008/2013; Packing blankets, twine, garbage bags, and gold string; dimensions variable. Courtesy of the artist and Susanne Vielmetter Los Angeles Projects.

This year has been unusually promising for the visibility of work by black female artists, even while that prominence has further highlighted racially problematic attitudes within the art world. The last ten months have marked the first in which an African American woman—Carrie Mae Weems—was given a retrospective at the Guggenheim, though her triumphant entry into that pantheon led to rebukes that the museum cut the original[…..]

Fan Mail: Lisa Wicka

Lisa Wicka. Construction of Self (detail), 2013; House paint, vintage wallpaper, laminate flooring, wood and chalk line; two interior spaces: 5 x 7 x 15 feet and 4 x 5 x 6 feet. Courtesy of the artist.

At the heart of Lisa Wicka’s artwork is a set of keenly nuanced spatial and visual adaptations. Her work transforms motifs, compositions, and ideas—human figures, abstract shapes, and reinterpretations of physical and perceived spaces—into unified bodies. Her small canvases, combine-like sculptures, and large-scale installations all mark their spaces of display with striking gravity. Most arresting is Wicka’s ability to create compositions that profoundly alter visual[…..]

From the Archives – Interview with Mario Zoots

Today from our archives we bring you an interview with artist Mario Zoots, conducted by Daily Serving‘s founder, Seth Curcio. This article was originally published on February 15, 2010. The mysterious and psychologically challenging images created by Denver-based artist Mario Zoots are produced by applying a visual barrier between the viewer and the appropriated image. Each work carefully alters an existing picture and challenges our perception[…..]

Fan Mail: Chris Rusak

Chris Rusak. Rhetoric, 2013; acrylic on fiberglass; 9 x 10 x 7/8 inches. Courtesy of the artist.

Painting and collage are processes composed in layers—often opaque in nature, each altering or shrouding its antecedent. Traditional two-dimensional compositions begin with a canvas, then some form of underpaint, followed by a series of strata—at times scraped away and at others built up—that eventually form a composition that becomes an entirety greater than the sum of its parts. Chris Rusak’s newest works, a series called[…..]

Fan Mail: Joe Webb

At The Gallery, 2013; collage; 10 ¾” x 9 ¼” inches. Image courtesy of the artist.

In Joe Webb’s Stirring Up A Storm (2014), the nearly full moon peers resolutely down like a removed voyeur, while a continent-sized Sunbeam Mixmaster Junior (an electric mixer from the 1950s) stirs Earth’s atmosphere with its twin silver beaters to create massive, hurricane-like weather patterns. From the description alone, issues of global warming and energy crises come to mind; however, the well-crafted humor, imaginative aesthetic,[…..]