Posts Tagged ‘Collage’

Fan Mail: Lisa Wicka

Lisa Wicka. Construction of Self (detail), 2013; House paint, vintage wallpaper, laminate flooring, wood and chalk line; two interior spaces: 5 x 7 x 15 feet and 4 x 5 x 6 feet. Courtesy of the artist.

At the heart of Lisa Wicka’s artwork is a set of keenly nuanced spatial and visual adaptations. Her work transforms motifs, compositions, and ideas—human figures, abstract shapes, and reinterpretations of physical and perceived spaces—into unified bodies. Her small canvases, combine-like sculptures, and large-scale installations all mark their spaces of display with striking gravity. Most arresting is Wicka’s ability to create compositions that profoundly alter visual[.....]

From the Archives – Interview with Mario Zoots

Today from our archives we bring you an interview with artist Mario Zoots, conducted by Daily Serving‘s founder, Seth Curcio. This article was originally published on February 15, 2010. The mysterious and psychologically challenging images created by Denver-based artist Mario Zoots are produced by applying a visual barrier between the viewer and the appropriated image. Each work carefully alters an existing picture and challenges our perception[.....]

Fan Mail: Chris Rusak

Chris Rusak. Rhetoric, 2013; acrylic on fiberglass; 9 x 10 x 7/8 inches. Courtesy of the artist.

Painting and collage are processes composed in layers—often opaque in nature, each altering or shrouding its antecedent. Traditional two-dimensional compositions begin with a canvas, then some form of underpaint, followed by a series of strata—at times scraped away and at others built up—that eventually form a composition that becomes an entirety greater than the sum of its parts. Chris Rusak’s newest works, a series called[.....]

Fan Mail: Joe Webb

At The Gallery, 2013; collage; 10 ¾” x 9 ¼” inches. Image courtesy of the artist.

In Joe Webb’s Stirring Up A Storm (2014), the nearly full moon peers resolutely down like a removed voyeur, while a continent-sized Sunbeam Mixmaster Junior (an electric mixer from the 1950s) stirs Earth’s atmosphere with its twin silver beaters to create massive, hurricane-like weather patterns. From the description alone, issues of global warming and energy crises come to mind; however, the well-crafted humor, imaginative aesthetic,[.....]

John Sparagana: Crowds & Powder at Corbett vs. Dempsey

John Sparagana. Crowds & Power: The Revolutionaries, 2013; archival inkjet prints with oil stick, sliced and mixed, on paper; 58 x 92 in. Courtesy of the artist and Corbett vs. Dempsey, Chicago. Photo: Tom Van Eynde.

John Sparagana fatigues images by manipulating them. First he scans pictures and runs off inkjet prints, then he crumples the pictures in his pocket and kneads the glossy paper for days or weeks until the sheet’s fibrous structure is loosened. The result is a soft fabric more than double in size, with its original image lightened and diminished on the new surface, appearing like a[.....]

Fan Mail: Matt Hendon

Matt Hendon. Third Pilot, 2013; mixed media; 8 x 10 inches. Courtesy of the Artist

Matt Hendon’s ongoing body of work in mixed media, Everything That Can Expire, is about challenging himself: first, to reimagine what it means to work with images instead of creating drawings or illustrations; and second, to create compositions that complicate his own and his viewers’ visual aesthetic sense. In addition to being a visual artist, Hendon works as a designer, and there are interesting and[.....]

Julie Cockburn: Slight Exposure at Yossi Milo Gallery

On entering Yossi Milo Gallery, the viewer is thrust into a bubblegum-bright world. Dull, vintage vacation snapshots and the strained smiles of a graduation portrait are transformed into photographs reminiscent of greeting cards. Through sewn-on balls and lines, and Sharpie-thick strips of thread, artist Julie Cockburn playfully graffitis each photograph. But a surreal, eerie quality belies their perky facades. Cockburn creates this effect using found photographs from[.....]