Posts Tagged ‘Collage’

Ronald Ventura: Recyclables

Ronald Ventura’s latest suite of works, produced at the Singapore Tyler Print Institute, examines how humanity relates to the environment, and how we often leave in our wake, a trail of destruction. Recyclables is Ventura’s show of lithographs, cast paper sculptures and paper relief on canvas produced from the discarded waste of urbanity, which he has recycled into a visual mélange of apocalyptic tales drawn[…..]

Brush It In

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Wafts of ginger and cilantro from the nearby Vietnamese eateries swirls around the propelling bus exhaust as I walk through London’s funky Shoreditch on an overcast day. Though I (embarrassingly) have not yet visited before, the unexpected island of pristine glass of the Flower’s Gallery is not hard to miss among the rickety cheap shoe shops and tabacs littered with half-shredded ice cream posters. A[…..]

Weaving, Not Cloth: Mark Bradford

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The difficulty in viewing photographs of artwork is that the camera flattens the object in its focus, relinquishing subtleties in order to capture a whole. Because his oeuvre is very subtle indeed, Mark Bradford’s work requires a viewer’s presence to be fully appreciated. Very little of the slender lines of collage, delicate papers built up in thin layers or washes of paint almost completely sanded[…..]

Kurt Schwitters: Color and Collage at the Berkeley Art Museum

For the first time in 26 years, an overview of Kurt Schwitters’ work is touring the US, and the Berkeley Art Museum is the exhibition’s only west-coast venue.  Kurt Schwitters: Color and Collage spans the artist’s output between 1918 and 1947, and includes collages, assemblages, sculpture, and the reconstruction of the architectural/sculptural installation Merzbau, which was destroyed when the Allies bombed Hannover in 1943.  Schwitters[…..]

Nomadic and Luminous: Ranu Mukherjee at Frey Norris

What happens at the moment when energy becomes material, and how can we even dream of documenting it? The question has wide-ranging implications, from the memories stored in everyday objects to the effects of prayer. Ranu Mukherjee’s solo exhibition at Frey Norris Contemporary and Modern, Absorption Into the Nomadic and Luminous, takes up these issues. A former painter who now works mostly with photography and[…..]

Fandom

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley It makes a weird kind of sense that Elizabeth Taylor, who managed to move from sweetheart to sexpot to scandal then back to sweetheart more gracefully than any actress on record, would die the week of Tennessee Williams’ centennial. The playwright, not unlike the actress, had a remarkable knack for being glamorous[…..]

True Grit: Michaela Eichwald at Reena Spaulings

It’s not that Michaela Eichwald doesn’t give a crap about her paintings; she just beats the shit out of them. It’s part of a lengthy weathering process that imbues them with the perfect balance of attraction and repulsion.  Before they get to the gallery, they’ve been stepped on, left out in the rain, randomly stained, and often chemically altered. Eichwald decimates boring oil painting clichés[…..]