Posts Tagged ‘Conceptual Art’

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[…..]

Charles Gaines and Sol LeWitt at Paula Cooper NYC

Sol LeWitt. 12x12x1 TO 2x2x6, 1990; painted wood; 99x7x57 ½ in. Courtesy of Paula Cooper Gallery, New York. Photo: Steven Probert.

Two shows at Paula Cooper—Sol LeWitt: Wall Drawing 564 and Charles Gaines: Notes on Social Justice—knowingly nod at each other from their respective spaces across West Twenty-First Street. Wall Drawing 564: Complex forms with color ink washes superimposed (1988) holds court in Cooper’s large, dramatic exhibition hall surrounded by roughly contemporaneous structures and works on paper, and the immersive drawing exhibits LeWitt’s sustained interest in the grid[…..]

BUSTER SIMPSON // SURVEYOR at the Frye Museum of Art

Buster Simpson.

The artist’s hand is evident from the moment you walk into BUSTER SIMPSON // SURVEYOR, the first comprehensive survey of the Seattle-based artist’s forty-year career, now on view at the Frye Museum of Art. Simpson has chiseled the exhibition title’s two parallel lines into the gallery wall (on which the rest of the title is painted), like a giant trail marker or series of bite[…..]

Brush It In

InstallView2

Wafts of ginger and cilantro from the nearby Vietnamese eateries swirls around the propelling bus exhaust as I walk through London’s funky Shoreditch on an overcast day. Though I (embarrassingly) have not yet visited before, the unexpected island of pristine glass of the Flower’s Gallery is not hard to miss among the rickety cheap shoe shops and tabacs littered with half-shredded ice cream posters. A[…..]

Joel Morrison at Gagosian Hong Kong

Joel Morrison, The Reaganomic Youth (version 2), 2012. Stainless steel, 28 1/2 x 18 x 22 1/2 inches (72.4 x 45.7 x 57.2 cm), Ed. of 3. Photo by Erich Koyama.

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[…..]

Kienholz: The Signs of the Times

When Edward Kienholz died of a heart attack aged 65 in 1996, his burial arrangement could have been one of his own installations: his embalmed body was stuck into the front seat of an old brown Packard coupe; he drove off into the good night with a dollar and a deck of cards in his pocket, accompanied by the ashes of his dog in the[…..]

Gabríela Friðriksdóttir: Crepusculum

Comprising only a large installation at the Schirn Kunsthalle, Gabríela Friðriksdóttir’s Crepusculum – Latin for “twilight” or “dusk” – is a mixed-media, polyphonic, physical exploration of metaphysical structures that govern the human psyche, and speculates that an enigmatic and irrational system of signs, meanings and forms counterbalances the deceptively ordered exteriors of our existence. Above all, it is an experiential and tactile show that prioritises[…..]