Posts Tagged ‘curating’

Summer Session – How to Make It: 10 Rules for Success From Art Curators

RoseLee Goldberg and Performa board member Todd Bishop at Relâche, 2012. Image via Paula Court and the original posting.

For our Back to School Summer Session, we’ve taken a look at education, pedagogy, and learning in the arts from a broad perspective, including work informed by school or schools of thought, investigations into the current state of academia, and resources for those interested in either self-directed or formal education. Today for our final installment we bring you an excerpt from an article by Cedar Pasori at Complex, who asked[…..]

Summer Session – Help Desk: Getting Paid for Curatorial Work

Kerry James Marshall. Portrait of a Curator (In Memory of Beryl Wright), 2009; acrylic on PVC, 30 7/8 x 24 7/8 x 1 7/8 in.

This week wraps up our month of regarding labor in the arts: work, innovation, collaboration, compensation, and leisure. In this Help Desk column, Bean Gilsdorf answers a question about making money from curatorial pursuits with some help from Fatos Üstek and Kuba Szreder. The article was originally published on May 9, 2016. I’m a professional curator with over a decade of experience, mostly as a salaried professional. I’d[…..]

From the Archives – Help Desk: Put the Artist First

Rachel Reupke. Still from Letter of Complaint, 2015; color video, 10 min.

Today we look back at an intriguing curatorial question from last year: “Which comes first—the artist or the machine?” Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This article was originally published on March 16, 2015 In the role of writer and curator,[…..]

Help Desk: Put the Artist First

Rachel Reupke. Still from Letter of Complaint, 2015; color video, 10 min.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. In the role of writer and curator, I find myself playing bureaucratic middle man between artists and the public, or artists and institutions. But, where it comes to performing the role well, which comes procedurally first—the artist[…..]

Protect Me From What You Want

Logo of the sports drink "Brawndo," from the 2006 movie "Idiocracy," directed by Mike Judge.

Today from our friends at Glasstire, we bring you Christina Rees’ essay on the “making [of] museums into happy-clappy community centers,” written in response to the controversial article “Everybody’s an Art Curator” in the Wall Street Journal. As Rees points out: “No other serious profession seems to open itself up to this ‘the public knows best’ mentality as much as that of art. I cannot imagine[…..]

From the Archives – Curating Activism: An Interview with Julio César Morales

Julio César Morales, "Undocumented Interventions #1," 2011. Watercolor and ink on paper. 32.5 x 24.5 in.

Today from our archives we bring you an interview with Julio César Morales, curator of the Arizona State University Art Museum in Tempe. Morales says, “I am working to develop the largest Latin American video archive in the U.S., housed in the city most threatening to Latinos in the U.S. This juxtaposition reflects the ongoing struggles between the U.S. and Mexico and their parasitic need[…..]

Help Desk: Curating Like A Fool

VALIE EXPORT. Die un-endliche/ -ähnliche Melodie der Stränge (The un-ending/ -ique melody of cords), 1998; video installation on 10 monitors; installation view, Bilder der Berührung (Images of Contingence), 2013. Photo by Eric Tschernow.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is cosponsored by KQED.org. I’m an artist and art writer and would like to complete the trifecta by seriously trying to curate. However, since I’ve only been on the curated side of[…..]