Posts Tagged ‘Dallas’

Paola Pivi: Ma’am at Dallas Contemporary Museum

Paola Pivi. Installation view of Ma'am, 2016. Photo by Kevin Todora. Image courtesy Dallas Contemporary.

Paola Pivi’s exhibition, Ma’am, at the Dallas Contemporary Museum fills the galleries with colorful creatures and inflatables, coffee beans, feathers, and faux pearls. Visual tricks and gags, sensorial puns, and oddities—these are the territory of Pivi’s sculptures, photographs, films, and interventions. Her monumentally scaled, untitled airplane work—a small Fiat G-91 placed upside-down on the floor—guards the entrance into the space. Around the corner, a swath of[…..]

Loris Gréaud: The Unplayed Notes Museum at Dallas Contemporary


From our friends at Glasstire, today we bring you Christina Rees’ review of Loris Gréaud’s current solo exhibition at Dallas Contemporary. Rees describes the choreographed destruction of the work and characterizes the show as “a partial and contrived ruin,” noting that neither the artist nor the visitors seem invested. This article was originally published on January 19, 2015.  I suppose in the event of a chemical attack[…..]

Sandra Ono: low tide at Conduit Gallery

Sandra Ono. Untitled, 2013; Mop heads and glue, 37.5 x 49 x 9 in.

Today from our friends at Glasstire, we bring you a review of Sandra Ono’s solo exhibition at Conduit Gallery in Dallas, Texas. Author Alejo Benedetti notes, “While many found-object artists attempt to aggrandize the ordinary, Ono recognizes her materials for what they are. The works are beautiful, delicate, and have a commanding presence, but they are also in on the joke.” This article was originally[…..]

Homecoming! Committee’s Post Communiqué at the Dallas Museum of Art

Homecoming! Committee. ARTFORUM, 1963 (2013); Modified magazine pages and paper; 10.5 x 10.5 x .5 inches. Courtesy of Homecoming! Committee "archives."

The contrast between established arts institutions and alternative spaces is often stark—different areas of town, different audiences in attendance, different coverage (if any) from very different publications. Artforum has a ten-page spread on the latest from Martin Kippenberger, while the arts and culture section of a local blog has two hundred words on an emerging artist. But the rare moments when the two worlds collide[…..]

Linnea Glatt: With In

The work in this exhibition at Barry Whistler Gallery by Linnea Glatt is methodical, precise and quietly moving. While the works are often visually minimal, using only black and white, circles, lines and dots, they have a presence based on the accretion of their labor. Labor used to be a word that could be tied to abstraction. It was in the early twentieth century when[…..]

Interview with Richard Patterson

Richard Patterson emerged in London at Damien Hirst’s Freeze exhibition in 1988 as one of the YBA group. After moving to New York he eventually settled in Dallas. He is represented by Timothy Taylor Gallery in London and James Cohan Gallery in New York. He is known for paintings that combine imagery culled from popular culture and art history with painstaking detail. Combining car culture,[…..]

Best of 2009

Happy New Year from everyone at!! We are continuing our Best of 2009 coverage for one more day. Don’t miss our exclusive interview with Allison Schulnik to be published later this month in conjunction with her upcoming solo exhibition, Home for Hobo, at Mark Moore Gallery in Los Angeles. Best of 2009 Allison Schulnik: Hobo Clown Originally published on July 15, 2009 It’s unfortunate[…..]