Posts Tagged ‘Danica Willard Sachs’

Paz Errázuriz/Matrix 251 at the Berkeley Art Museum/Pacific Film Archive

Paz Errázuriz. La Palmera, Santiago, from the series La manzana de Adán, 1982; gelatin silver print, 19 2/3 x 23 ½ in. Courtesy of the Artist and Galeria AFA, Santiago.

Today from our partner Art Practical, we bring you a review of photographer Paz Errázuriz’s work, on view through tomorrow at the Berkeley Art Museum. Author Danica Willard Sachs notes, “By immersing the viewer in the peripheries of Chilean society, into the brothels and gyms populated by socially isolated men, Errázuriz’s photographs not only put an individual face on oppression, they also highlight a resilience inherent[.....]

Lalla Essaydi: New Beauty at Jenkins Johnson Gallery

Lalla Essaydi. Bullets #5, 2009; chromogenic print; 48 x 60 in. Courtesy of the Artist and Jenkins Johnson Gallery, San Francisco.

From our sister site Art Practical, today we bring you a review of Lalla Essaydi’s photographs now on view at at Jenkins Johnson Gallery in San Francisco. Author Danica Willard Sachs notes that in Essaydi’s work, “the effect of the ceremonial fabrics and calligraphy is to flatten the women into almost abstract images that retreat into the background like furniture.” This article was originally published on February[.....]

Carrie Mae Weems: Three Decades of Photography and Video at Cantor Arts Center

Carrie Mae Weems. Afro-Chic, 2010 (video still); DVD; 5:30. Courtesy of the Artist and Jack Shainman Gallery, New York. © Carrie Mae Weems.

Today from our partners at Art Practical we bring you a review of Carrie Mae Weems: Three Decades of Photography and Video at the Cantor Arts Center at Stanford University. Author Danica Willard Sachs writes, “Weems’ main project is to raise questions about the relationship between an artist and her history, and the ethics of representing that history.” Though the exhibition closed a few days ago, Daily[.....]

Jonathan Runcio: Glass in the Garden at Romer Young

Jonathan Runcio. Glass in the Garden, 2013; installation view. Courtesy of the Artist and Romer Young Gallery, San Francisco.

From our San Francisco Bay Area partner Art Practical, today we bring you a review of Glass in the Garden, Jonathan Runcio‘s current solo show at Romer Young Gallery. Author Danica Willard Sachs explains that Runcio’s work “dismantles the architecture of the city, peeling back the glossy finish to show the viewer the raw substrate.” This article was originally published on November 25, 2013. In[.....]

Shotgun Reviews: Sean McFarland at Stephen Wirtz Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danica Willard Sachs reviews Sean McFarland’s Glass Mountains at Stephan Wirtz Gallery in San Francisco. For Sean McFarland, there’s no such thing as a straight photograph. In[.....]

Facundo Argañaraz: Tonight Tonight at Highlight Gallery

Facundo Argañaraz. Passenger II, 2013.
Acrylic, direct-to-substrate print , and brass fitting on aluminum composite panel; 48 x 61 inches.

From our sister publication Art Practical, today we bring you a review of Facundo Argañaraz‘s solo exhibition Tonight Tonight at Highlight Gallery in San Francisco. Author Danica Willard Sachs notes that with the paintings in this new show, Argañaraz is “riffing on the monochrome… [and] grace is not found in presentness, but in confrontation.” This review was originally published on October 28, 2013. A traditional narrative of art[.....]

Ryan McGinley: YEARBOOK at Ratio 3

Ryan McGinley. YEARBOOK, Installation view, Courtesy the artist and Ratio 3.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danica Willard Sachs reviews Ryan McGinley’s YEARBOOK at Ratio 3 in San Francisco. For his latest project, YEARBOOK (2013), Ryan McGinley has wallpapered the interior of Ratio 3 from[.....]