Posts Tagged ‘Drawing’

Fan Mail: Rachel Wolfson Smith

Rachel Wolfson Smith. Bound to Earth, 2015; graphite on paper; 54 x 96 in. Courtesy of the Artist.

Rachel Wolfson Smith’s pencil drawings of motorcycle and car crashes seem to memorialize modern epics. At once glorious and kitschy, these homages to what the artist calls “Renaissance battle paintings” capture moments of intense struggle, dialed up to eleven: they border on the farcical but maintain an undeniable gravitas. The monochromatic graphite tones and occasional gilt highlights situate the drawings in a context of glorified[…..]

Joan Jonas: From Away at DHC ART

Installation view, Joan Jonas: From Away, 2016, DHC/ART. Joan Jonas, They Come to us Without a Word (Wind), 2015. Multimedia Installation (site-specific adaptation). Originally commissioned for the U.S. Pavilion of the 56th Venice Biennale by the MIT List Visual Arts Center, Cambridge, Massachusetts. Courtesy of The Kramlich Collection, San Francisco. © DHC/ART Foundation for Contemporary Art. Photo: Richard-Max Tremblay.

As psycho-historian, I try to diagnose the schizophrenia of Western civilization from its images, in an autobiographical reflex. (Joan Jonas, The Shape, the Scent, the Feel of Things) Joan Jonas’ retrospective exhibition From Away occupies two buildings at DHC/ART in Montreal. Arriving at the basement’s miniature cinema felt like entering a cauldron of the Jonasian universe, and moving up and down in the tightly vertical first building[…..]

Summer Session – Art & Vexation: Interview with William Powhida

William Powhida, Cynical Advice, 2012. Graphite, colored pencil, and watercolor on paper, Cynical Advice, 15” x 20”, Graphite, colored pencil, and watercolor on paper, 15 x 20 inches

For this Summer Session we’re thinking about celebrity, and that also means thinking about what it means to both loathe and desire its effects for oneself. There is no denying that the art world is often driven by the forces of celebrity, and William Powhida makes the core of his practice a thorough critique of this system. His work responds to the ambivalent desire for status[…..]

Summer Session – Ewan Gibbs at SFMOMA

Ewan Gibbs, San Francisco, 2009; graphite on paper, 11 11/16 x 8 1/4 in.; Commissioned by SFMOMA; © Ewan Gibbs; photo: courtesy the artist and Timothy Taylor Gallery, London

Today from our friends at SFMOMA, we bring you a short video of Ewan Gibbs discussing the concept and labor of the drawings he completed for his 2009 exhibition at the museum. Daily Serving also conducted an interview with the artist that year, and we invite you to read it for a deeper understanding of how the artist came to use these techniques.

Alina Szapocznikow: Human Landscape(s) at Galerie Loevenbruck

Alina Szapocznikow. Paysage humain (du cycle «Paysages humains») [Human Landscape] (from the
Cycle «Human Landscape»), 1971;
Felt-tip pen and watercolor on cardboard; 11 13/16 x 19 3/16 in. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie
Loevenbruck, Paris.
© ADAGP, Paris. Photo: Fabrice Gousset.

Owing to the success of her figurative work as well as her 2012 retrospective at the Museum of Modern Art in New York, the Polish artist Alina Szapocznikow is widely recognized for her uncanny mixed-media sculptures that incorporate cast body parts with everyday objects. Often overlooked, however, are her drawings of abstracted figures—erotic, restless, and vulnerable—though they are a central part of her practice. Human Landscape(s)[…..]

Basquiat: The Unknown Notebooks at the High Museum of Art

Jean-Michel Basquiat. Untitled Notebook Page, 1980-1981. Ink on ruled notebooks paper. 9 5/8 x 7 5/8 inches. Collection of Larry Warsh. Estate of Jean-Michel Basquiat, all rights reserved. Licensed by Artestar, New York. Photo courtesy of Sarah DeSantis, Brooklyn Museum.

The High Museum of Art’s current exhibition, Basquiat: The Unknown Notebooks, presents the viewer with a “portrait of the artist as a poet.” Although the art world has been well aware of the importance and influence of language, writing, poetry, and experimental literary tactics on Jean-Michel Basquiat’s work for some time (the artist’s notebooks are hardly “unknown”), the presentation of his notebooks as the main[…..]

Fan Mail: Taylor Baldwin

Taylor Baldwin. the body, 2012 (video still); HD video with sound; 41:06. Courtesy of the Artist.

Taylor Baldwin’s multidisciplinary practice could be described as an experiment in material and historical mutation. Through a combination of sculptural installations, drawing, and video, the artist investigates the notion of the object as a site of transformation, altered by intangible elements such as the passage of time and death. Though his recent works have been mostly three-dimensional, Baldwin’s entry point into art began with drawing.[…..]