Posts Tagged ‘Drawing’

LOSTBOY: CORE at Betti Ono Gallery

LOSTBOY. Clusters, 2014; pen on paper; 26 x 19.75 in. Courtesy of the Artist and Betti Ono Gallery, Oakland.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Indira Allegra reviews LOSTBOY’s solo exhibition at Betti Ono Gallery in Oakland, California. LOSTBOY’s ink-drawn organisms multiply, sometimes expressed as rhizomes across the border of[…..]

William Kentridge’s Poetic Cinema

William Kentridge. Drawing for the film Other Faces, (Crowds in city streets), 2011;
Charcoal and colored pencil on paper, 27.5 x 48 in.

“Other Faces” assumes the feel of reportage, as if we are witnessing certain events from the struggle against colonialism in South Africa’s turbulent past.

José Antonio Vega Macotela at Prospect.3

Jose Antonio Vega Macotela. Time Exchange 291 (From Time Divisa), 2009; intervened book; 8.27 x 6.3 x 4.72 in. Courtesy of the Artist and Prospect.3

“My eternity has died and I am waking it.” –Violence of the Hours, Cesar Vallejo It sounds like a riddle: No one can buy more of it, and few have enough of it; it wears on the rich and poor equally; loss of it produces deep fear. Time’s ability to be transferred and manipulated is at the heart of José Antonio Vega Macotela’s mixed-media series[…..]

Fan Mail: Lisa Wicka

Lisa Wicka. Construction of Self (detail), 2013; House paint, vintage wallpaper, laminate flooring, wood and chalk line; two interior spaces: 5 x 7 x 15 feet and 4 x 5 x 6 feet. Courtesy of the artist.

At the heart of Lisa Wicka’s artwork is a set of keenly nuanced spatial and visual adaptations. Her work transforms motifs, compositions, and ideas—human figures, abstract shapes, and reinterpretations of physical and perceived spaces—into unified bodies. Her small canvases, combine-like sculptures, and large-scale installations all mark their spaces of display with striking gravity. Most arresting is Wicka’s ability to create compositions that profoundly alter visual[…..]

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[…..]

Phyllida Barlow: Fifty Years of Drawing at Hauser & Wirth

Phyllida Barlow. Fifty Years of Drawing, 2014; installation view, Hauser & Wirth, London. Courtesy of the Artist and Hauser & Wirth. Photo: Alex Delfanne.

Phyllida Barlow has upped her game in the last five years with a string of international blockbuster shows and commissions. Omnipresent as she currently is, one would think that Barlow has always enjoyed this kind of success, but that isn’t the case; the work hadn’t received the kind of attention that anoints an artist as “successful” until her Baltic show in 2004. As she is in[…..]

Fan Mail: Geoffry Smalley

Geoffry Smalley. Early Morning at Cold Spring, Across Home Run Cove, 2014; acrylic on book page; 12 x 9 inches. Courtesy the artist.

Geoffry Smalley’s work is rooted in early-19th-century American painting, deriving specific scenes and techniques from historical canvases and the Hudson River School. In 1836, painter Thomas Cole completed his five-part series The Course of Empire. The series documents Cole’s vision for the birth, life, and death of western civilization, from the pastoral to the desolate. Cole had a calculated optimism for life and renewal, but[…..]