Posts Tagged ‘Drawing’

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[.....]

Phyllida Barlow: Fifty Years of Drawing at Hauser & Wirth

Phyllida Barlow. Fifty Years of Drawing, 2014; installation view, Hauser & Wirth, London. Courtesy of the Artist and Hauser & Wirth. Photo: Alex Delfanne.

Phyllida Barlow has upped her game in the last five years with a string of international blockbuster shows and commissions. Omnipresent as she currently is, one would think that Barlow has always enjoyed this kind of success, but that isn’t the case; the work hadn’t received the kind of attention that anoints an artist as “successful” until her Baltic show in 2004. As she is in[.....]

Fan Mail: Geoffry Smalley

Geoffry Smalley. Early Morning at Cold Spring, Across Home Run Cove, 2014; acrylic on book page; 12 x 9 inches. Courtesy the artist.

Geoffry Smalley’s work is rooted in early-19th-century American painting, deriving specific scenes and techniques from historical canvases and the Hudson River School. In 1836, painter Thomas Cole completed his five-part series The Course of Empire. The series documents Cole’s vision for the birth, life, and death of western civilization, from the pastoral to the desolate. Cole had a calculated optimism for life and renewal, but[.....]

Men in L.A.: Three Generations of Drawings at The Box

Paul McCarthy & Benjamin Weissman, Quilting Sessions, 1997-2008 (installation view)

Men in L.A.: Three Generations of Drawings at The Box features a massive collection of over 400 drawings created by artists Naotaka Hiro, Benjamin Weissman, and Paul McCarthy, individually and in collaboration with one another. The title of the exhibition overreaches somewhat—there are not really three generations, but rather three artists separated by less than thirty years in age. Yet what the exhibition does accomplish is[.....]

From the Archives – Raymond Pettibon: Hard in the Paint at David Zwirner

Raymond Pettibon. No Title (Where's the green...) 2010; 30 x 22 1/8 in.

Today we bring you a treat from our archives, Michael Tomeo’s review of Raymond Pettibon’s 2010 show at David Zwirner in New York. The reprinting of this review is occasioned by Pettibon’s upcoming conversation with Sonic Youth’s Kim Gordon at Strand Book Store on June 25, 2014, in which they’ll chat about his new book Raymond Pettibon: To Wit. This article was originally published on November 17,[.....]

Eric Yahnker: Sticks and Drones at Paradise Row Gallery

Eric Yahnker. Crimea River, 2014, charcoal, graphite and ink on paper, 40 x 30 in. Courtesy of the Artist.

The cleverly titled Sticks and Drones at Paradise Row Gallery is Los Angeles-based artist Eric Yahnker’s London debut. On entering the gallery, viewers are confronted with Daddy Issues (2014), a crudely carved wooden cobra with the words “Daddy Issues” lovingly wood-burned into its hood. With a sequined magenta bow on the middle of its head, it’s the Honey Boo Boo of county-fair handicrafts. “Daddy Issues”[.....]

Allen Ruppersberg: Drawing and Writing 1972-1989 at Marc Selwyn Fine Art

Allen Ruppersberg. Self-Portrait Making a Face Like Barney Bear, 1975; pencil on paper; 23 x 29 in. Courtesy of the Artist and Marc Selwyn Fine Art.

For the first solo exhibition in his new Beverly Hills space, Marc Selwyn Fine Art has mounted a significant show of drawings by conceptual-art pioneer Allen Ruppersberg. Spanning almost two decades, from 1972 to 1989, these deceptively simple works on paper show Ruppersberg dealing with themes similar to those of his contemporaries—appropriation, language, identity, authenticity—but with a wry, nostalgic sensibility all his own. In these[.....]