Posts Tagged ‘Drawing’

From the Archives – Raymond Pettibon: Hard in the Paint at David Zwirner

Raymond Pettibon. No Title (Where's the green...) 2010; 30 x 22 1/8 in.

Today we bring you a treat from our archives, Michael Tomeo’s review of Raymond Pettibon’s 2010 show at David Zwirner in New York. The reprinting of this review is occasioned by Pettibon’s upcoming conversation with Sonic Youth’s Kim Gordon at Strand Book Store on June 25, 2014, in which they’ll chat about his new book Raymond Pettibon: To Wit. This article was originally published on November 17,[…..]

Eric Yahnker: Sticks and Drones at Paradise Row Gallery

Eric Yahnker. Crimea River, 2014, charcoal, graphite and ink on paper, 40 x 30 in. Courtesy of the Artist.

The cleverly titled Sticks and Drones at Paradise Row Gallery is Los Angeles-based artist Eric Yahnker’s London debut. On entering the gallery, viewers are confronted with Daddy Issues (2014), a crudely carved wooden cobra with the words “Daddy Issues” lovingly wood-burned into its hood. With a sequined magenta bow on the middle of its head, it’s the Honey Boo Boo of county-fair handicrafts. “Daddy Issues”[…..]

Allen Ruppersberg: Drawing and Writing 1972-1989 at Marc Selwyn Fine Art

Allen Ruppersberg. Self-Portrait Making a Face Like Barney Bear, 1975; pencil on paper; 23 x 29 in. Courtesy of the Artist and Marc Selwyn Fine Art.

For the first solo exhibition in his new Beverly Hills space, Marc Selwyn Fine Art has mounted a significant show of drawings by conceptual-art pioneer Allen Ruppersberg. Spanning almost two decades, from 1972 to 1989, these deceptively simple works on paper show Ruppersberg dealing with themes similar to those of his contemporaries—appropriation, language, identity, authenticity—but with a wry, nostalgic sensibility all his own. In these[…..]

From the Archives – An Interview with Anne Lindberg

Anne Lindberg. parallel 34, 2012; Graphite and colored pencil on cotton mat board. 104 x 58 in. Courtesy the artist and Carrie Secrist Gallery, Chicago.

Today from the archives we bring you an interview with artist Anne Lindberg, who often works with drawing, photography, sculpture, and installation, “always seeking to push the boundaries of what is considered a drawing.” Lindberg has a solo show opening soon at Haw Contemporary in Kansas City. This article was written by Allie Haeusslein and originally published on September 18, 2012.  On a visit to the[…..]

Jim Hodges: Give More Than You Take at the Walker Art Center

Jim Hodges. on the way between places (21 of 21), 2009; charcoal, saliva on paper; 30 × 22 1/2 in. Photo by Ronald Amstutz ©Jim Hodges.

“I love sculpture. Fundamentally, though, I am a ‘drawer.’ But I love spatial relationships and dimensionality. I’m interested in theatrical moments and choreographing experiences in space. I think as a drawer and make as a sculptor.” —Jim Hodges [1] With butterflies, silk flowers, spiderwebs, mirrors, camouflage, and gold, Jim Hodges draws in space. Constantly assembling and disassembling natural imagery and everyday items, he creates objects[…..]

Andrew Nicholls: The Water Works at Turner Galleries

Australian artist Andrew Nicholls dredges the queasy aesthetics of sentiment for its submerged ideological content. In an ongoing thread of his practice, he locates the ideals and practices of British imperialism in the kitsch, seemingly innocuous world of 19th- and 20th-century ceramics, disrupting this historical narrative with traces of the otherness otherwise repressed in the imperial worldview. He subsumes his viewers in an unsteady undertow[…..]

Maria Lassnig at Capitain Petzel

Maria Lassnig. o.T., (2012), Oil on canvas, 205 x 158 cm. Courtesy of Capitain Petzel, Berlin. Photo: Jens Ziehe.

Maria Lassnig’s current solo exhibition at Capitain Petzel in Berlin takes a quick and investigatory look at her body-awareness paintings. At first glance, Lassnig’s works look crass. She seems to care little for surfaces and even less for her palette: lumpy, grayish figures lie casually upon the surface of the canvas, craftsmanship is squandered, and colors are straight out of the tube. However, at the back of[…..]