Posts Tagged ‘Elsewhere’

The Theme Exhibition of the 4th Guangzhou Triennial

We are thrilled to bring you a review of The Theme Exhibition of the 4th Guangzhou Triennial from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article was originally written for ArtSpy and has been translated exclusively for DailyServing. About the theme, as curator Jiang Jiehong said, “The Unseen is the main framework[…..]

Joel Morrison at Gagosian Hong Kong

Joel Morrison, The Reaganomic Youth (version 2), 2012. Stainless steel, 28 1/2 x 18 x 22 1/2 inches (72.4 x 45.7 x 57.2 cm), Ed. of 3. Photo by Erich Koyama.

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[…..]

Film vs. Digital: Why the “vs.”?

Malcolm Le Grice, "Berlin Horse" (1970), still from a multi-projection film

A lively, critic-to-critic dialogue published recently in The New York Times[i] left me pondering over the persistently blinkered nature of so much “digital age” discourse on film.  Moving imagery has long been implicated and explored in and across myriad cultural and creative contexts, yet the breadth, depth, and diversity of filmic practice has been, and continues to be, belied by a narrow focus on commercial[…..]

I am not there and I am not here

Jamelie Hassan, At the Far Edge of Words continues to October 14 at the Museum of Contemporary Canadian Art, 952 Queen Street West, Toronto, Ontario.

Although difficult to generalize, a common theme ties together the exhibitions currently on view at the Museum of Contemporary Canadian Art (MOCCA) and the Art Gallery of York University (AGYU). “At the Far Edge of Words” and “Imaginary Homelands” engage on some level, with the complex reflections of the artists cultural identity in relation to their exchanges with western culture, concepts of otherness, and navigating the[…..]

Macho Boogie-Woogie in Mexico

Adrian S. Bara sculpture installation, Cafe Benito, 2012

It’s a rainy summer night in Guadalajara. Zooming through the dark, the jeep I’m riding in feels more like a powerboat as it leaves a black wake in the flooded streets. This ain’t no British rain – and thank God for that. (I’ve had enough drizzle for two lifetimes.) Palm fronds shake and the heavy rain suddenly turns to hail. The frothy water in the[…..]

A Double Take at White Rabbit

Zhang Chun Hong, Life Strands, 2004, charcoal and graphite on paper, 1160 x 150 cm, image reproduced courtesy of White Rabbit Gallery

Things are not quite what they seem in ‘Double Take’ at the White Rabbit Gallery in Sydney. The exhibition presents some new works and others which have been seen before but deserve re-examination. A heap of porcelain sunflower seeds, a shiny Harley Davidson which turns out, on closer inspection, to be a bicycle, and the doorway of a Beijing apartment which reveals itself to be[…..]

Post-Fordlândia: A Critical Look at a Failed Development

Chair

Post-Fordlândia, the new exhibit at Good Children Gallery, is a palimpsest for modern times: it calls from faded pasts to warn us of an ill-advised future. A series of high-def videos and large format photographs, taken by Irish artists Tom Flanagan and Megs Morley, depict the now defunct and abandoned town of Fordlândia, the mad brainchild of Henry Ford. This experiment in urban and cultural[…..]