Posts Tagged ‘environment’

100° City at City Limits

Joel Dean. Untitled, 2015; Solarbotics Photopopper Photovore V5.0, glass jar; 11" x 7" x 7". Courtesy of the Artist and City Limits, Oakland.

Today from our partners at Art Practical, we bring you Jackie Im‘s review of 100° City, a three-person show at City Limits Gallery in Oakland that “…seeks to challenge, to draw people into these messy conversations about anxiety, about the effects we have on the Earth.” Today is your last chance to see the exhibition, which features works by Jason Benson, Joel Dean, and Erin Jane[…..]

Awst & Walther: Ground Control, An Interdisciplinary Forum at PSM Gallery

Awst & Walther. Ground Control: An interdisciplinary forum, 2015 (still); digital animation; infinite loop. Courtesy of the Artists and PSM Gallery, Berlin. Photo: André Wunstorf.

In the dark at PSM Gallery in Berlin, a digital animation is silently breathing. It appears as an inverted landscape split in equal parts by land and sky. A field recedes into the horizon, with a mass of permafrost above and mostly clear blue atmosphere below. Green shrubs flop and slide loosely on the screen, wriggling and dismorphic, moving as they would in an acid[…..]

Jake Longstreth: Free Range at Gregory Lind Gallery

Jake Longstreth. Free Range, 2014; Oil on canvas in artist frame, 60 x 40 in.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Miguel Arzabe reviews Jake Longstreth: Free Range at Gregory Lind Gallery in San Francisco. For urban dwellers with the means and motivation to leave the city in[…..]

Zhan Wang: Morph at Long March Space

Zhan Wang. Morph, 2014-15; installation view, Long March Space, Beijing. Courtesy of the Artist and Long March Space.

Quiet, cool, and dimly lit, Long March Gallery is an ethereal sanctuary for the five sculptures of Zhan Wang’s Morph. A tall, abstract sculptural form perches on a marble pedestal in the first gallery; next to it is a large, shiny work from Zhan’s ongoing Artificial Rock series. Together they create an intriguing juxtaposition. Immediately it seems odd to view such a work inside a[…..]

From the Archives – The Big Picture: An Interview with Edward Burtynsky

burtynsky-daily-serving_02

This past Wednesday, a thirty-day period for comments to the U.S. Department of State on the proposed Keystone XL pipeline began. Keystone XL would run from the Canadian border to a pipeline in Steele City, Nebraska, and is opposed by many environmental groups, from the Indigenous Environmental Network and the League of Conservation Voters to Physicians for Social Responsibility. In a 2012 interview for Daily Serving, artist Edward Burtynsky noted, “I do believe that[…..]

Coco Fusco: Observations of Predation in Humans at the Studio Museum in Harlem

Coco Fusco.

Critical distance can be an ambitious aspiration for an artist, particularly if her practice strives to directly engage complex economic, environmental, or social-justice issues. How can traditionally partisan discourses be avoided? Can a political viewpoint be communicated without merely contributing to a staunchly divisive cultural dialogue that is easy to tune out? There is no one strategy or formula for this challenge. Coco Fusco’s recent[…..]

#Hashtags: The Art of Conquest

Key Lime

#institutions #race #jeffreydeitch #elibroad #lacma #moca #manifestdestiny #americanexpansionism Los Angeles museums have recently demonstrated the old adage that “nothing endures but change.” Since 2006, Michael Govan has been in charge of transforming the Los Angeles County Museum of Art from a Victorian-style encyclopedic museum into a powerhouse for contemporary art. During his tenure, Govan has recruited top American curators, including Franklin Sirmans and Christine Y. Kim, from privately endowed museums to his massive[…..]