Posts Tagged ‘Eva Hesse’

#Hashtags: Learn Where the Meat Comes From

Karen Kilimnik. The Hellfire Club episode of the Avengers, 1989. Fabric, photocopies, candelabra, toy swords, mirror, gilded frames, costume jewelry, boot,
fake cobwebs, silver tankard, audio media player, and dried pea. Dimensions variable. Whitney Museum of American Art, New York; Gift of Peter M. Brant, courtesy The Brant Foundation, 2014.106. Photo by the author.

#museums #access #collections #markets #historicity #gentrification With the arrival of the new Whitney Museum on Gansevoort Street, New York’s once notorious Meatpacking District completes lower Manhattan’s transition from a no-man’s-land populated by artists and outcasts to a stomping ground for fashionable elites. Befitting of an institution that represents the American art world—which has long positioned itself within both these groups, often simultaneously—the Whitney would seem[…..]

A Day for Detroit

Mike Kelley. Carnival Time, 1990; acrylic on masonite; 84 x 208 x 2 3/8 in. Image courtesy the Detroit Institute of Arts, Detroit, MI.

Art Practical and Daily Serving are proud to jointly participate alongside other art media in heralding A Day for Detroit. Seven writers from both publications have each selected a work from the collection of the Detroit Institute of Arts (DIA), a treasure trove that could inconceivably be sacrificed if Detroit’s emergency manager forces a sale of the collection to alleviate some of the city’s staggering[…..]

Springing Up at the New Museum: Phyllida Barlow, Tacita Dean & Nathalie Djurberg

Leaving the crowds behind after the frenzied week of Frieze, I headed down to the New Museum after waiting for a month in anticipation to see some of my favorite artists show under one roof. Though there are numerous shows currently at the New Museum, I was there to see Phyllida Barlow, Tacita Dean and Nathalie Djurberg, all artists with whom I have had minimal[…..]

Functional-Conceptual

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Junior year of college, I made a plaster carrying case for my favorite coffee mug. The mug wasn’t mine. At least not legitimately. I’d borrowed it from a guy who ran a Vegan co-op, and loved it too much to give back. It was extra-tall, square-shaped—who has a mug with four corners?—and[…..]

Young Eva’s “Ghastly Visages”

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley There are many ways to mask yourself, some more effective than others, and artists—the good ones—venture further into the business of masking than most. They’re also deep into unmasking, balancing the urge to reveal with the need to conceal. This is a more pragmatic than emotional project; even if artists tend to[…..]