Posts Tagged ‘film’

Interview with Sarah Rara

Sarah Rara is a Los Angeles–based artist who works with video, film, photography, and performance. She is also a contributing member of the band Lucky Dragons. Rara was most recently an artist in residence at Headlands Center for the Arts, where she worked on a new video, Broken Solar, and a libretto for a new opera, Neglected Treaty, that considers the sonic impacts of climate change[…..]

Unbreakable: Interview with Larissa Sansour

Larissa Sansour and Søren Lind. In The Future, They Ate from the Finest Porcelain, 2015 (film still). Courtesy the Artists and Lawrie Shabibi.

From our friends at REORIENT, today we bring you an interview with Palestinian video artist Larissa Sansour. Author Abdellatif R. Abdeljawad talks with Sansour about rewriting histories, science fiction as a vehicle to explore the Palestinian condition, and the inherent political nature of art. Abdeljawad says of Sansour’s most recent work, In the Future, They Ate from the Finest Porcelain, on view at Lawrie Shabibi in Dubai through March 3: “Sansour’s film (made in[…..]

Mike Kelley: Single Channel Videos at REDCAT

Mike Kelley. Extracurricular Activity Projective Reconstruction #1 (Domestic Scene), 2000 (film still); black and white, 29:44 min. Art © Mike Kelley Foundation for the Arts. All Rights Reserved/Licensed by VAGA, New York, NY.

Nearing the fourth anniversary of Mike Kelley’s death, REDCAT presented a theatrical screening of six of his video works, curated by Steve Anker and Bérénice Reynaud as part of the Jack H. Skirball Series. The selection of works in Mike Kelley: Single Channel Videos included a one-act melodrama based on a black-and-white yearbook photograph, a hammy and melancholic Superman reciting Sylvia Plath, an invocation of power through[…..]

Laurie Anderson: Heart of a Dog

Laurie Anderson, Heart of a Dog, 2015 (still). Courtesy the artist and Abramorama Entertainment.

Artist Laurie Anderson opens Heart of a Dog by recounting a rather bizarre dream. Illustrated on the screen through sketchy black-and-white drawings and narrated in Anderson’s calm, comely voice, the artist gives birth to her dog, Lolabelle, the spectral rat terrier who becomes in some ways (though in others not) the star of the film. After being presented with her bundle, Anderson’s dream self feels very[…..]

Black Box: Sergio Caballero at the Hirshhorn Museum

Sergio Caballero. Ancha La Castilla or N’importe quoi, 2014 (video still); digital video, 24:00. Courtesy of the artist and Smithsonian's Hirshhorn Museum and Sculpture Garden.

Sergio Caballero combines grotesque materials, low-budget techniques, and a healthy dose of dark humor in his film Ancha La Castilla or N’importe Quoi (2014). Ancha La Castilla is the latest iteration of Black Box, a series dedicated to moving-image works at the Hirshhorn Museum in Washington, D.C. The twenty-five-minute film tells the tale of a young girl named Alegría as she becomes possessed and thus[…..]

Summer Reading – On Informality and Nomadism

bukhari-6

From our friends at Art Papers, today we bring you an essay on conservation, colonialism, and the “black market archive” of Pakistani film. Author Timothy P.A. Cooper explains, “The case filed by Iqbal Geoffrey, DesiTorrents, and the British Empire and Commonwealth Museum are haunted by traces of Pakistan’s visual cultural archive—nomadic ghosts of empire that evade the exoteric movements of decolonization in favor of fluid, informal[…..]

Summer Reading – Juana Berrío on Tacita Dean

Tacita Dean. Day for Night, 2009; still from video.

Today we continue our Summer Reading series with an essay on Tacita Dean’s film Day for Night. Author Juana Berrío explains, “Day for Night is a term used to describe a cinematographic technique that uses a particular camera lens to turn a scene filmed during daylight into a night-scene. In other words, it’s about capturing an image and re-presenting it under a different ‘light.’ In that[…..]