Posts Tagged ‘Fred Wilson’

Summer Session – Audio Guide Stop For Fred Wilson, Guarded View, 1991, at the Whitney

Fred Wilson. Guarded View, 1991. Sculpture, dimensions variable.

Continuing our labor-themed Summer Session, today we direct you to an excerpt from Fred Wilson’s audio guide to his sculpture Guarded View for the Whitney Museum of American Art. The artist says, “When I was in college, I had been a guard for our college museum. While this was not a major experience, it was something that stayed with me a very long time. And I[…..]

From the Archives– #Hashtags: Institutionalized Critique

Andrea Fraser. Museum Highlights: A Gallery Talk, 1989. Single-channel video (Betacam SP NTSC), color, sound. 30:00 min. Courtesy of the artist.

Here at Daily Serving, we’re excited that Andrea Fraser is the focus of a year-long series of events (and a published text) at the Wattis. Today from the archives we bring you Anuradha Vikram’s review of the Hammer Museum’s 2014 show Take It or Leave It: Institution, Image, Ideology, which includes an extended reflection on Fraser’s noteworthy early performance Museum Highlights: A Gallery Talk and how Fraser’s career has “paralleled that of institutional critique as a[…..]

#Hashtags: Institutionalized Critique

Andrea Fraser. Museum Highlights: A Gallery Talk, 1989. Single-channel video (Betacam SP NTSC), color, sound. 30:00 min. Courtesy of the artist.

#museums #historicity #institutional critique #detournement #appropriation The exhibition Take It or Leave It: Institution, Image, Ideology at UCLA’s Hammer Museum is an effort to comprehensively document the artistic modes of appropriation and institutional critique that emerged in American contemporary art of the 1970s–1990s. While related, these are two distinct forms—appropriation being the art of repurposing images and forms from an established, original context to a new, transformative[…..]