Posts Tagged ‘From the Archives’

From the Archives: Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Anthony Discenza.

Fiamma Montezemolo’s The Secret just opened at Kadist SF, and Montezemolo’s solo show has us thinking about books, selves, and Borges. Just as Montezemolo deploys redaction of and extraction from Jorge Luis Borges’ short story “The Anthropologist” to draw us into The Secret, so did Anthony Discenza create what has been described as a Borgesian universe (that leads off with a quotation from Borges) of[…..]

From the Archives – Help Desk: Self-Promotion

Andy Warhol, People on the Street, ca. 1980. © Andy Warhol. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. RISD Museum, Providence, RI.

This week’s Help Desk art-advice column looks back to a question from a “feral” artist and provides some strategies for self-promoting an exhibition. Got a question for our Help Desk? Submit your queries anonymously here.  I’m an artist in [redacted city] and I just got a solo show at a little gallery. I have no idea how to promote it. I didn’t go to art school and I’m[…..]

From the Archives – Time After Time: The Clock at SFMOMA

Christian Marclay, video still from The Clock, 2010; single-channel video with stereo sound, 24 hours; courtesy the artist and Paula Cooper Gallery, New York. All photos from Christian Marclay: The Clock; San Francisco Museum of Modern Art

In June 2013, the San Francisco Museum of Modern Art closed its doors to begin a massive expansion project. This weekend is the first public reopening of the museum, which now holds the status of the largest museum (by square footage) dedicated to modern art. Today we bring you a flashback to those last few hours at SFMOMA three years ago, when Christian Marclay’s The Clock[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

From the Archives – Malick Sidibé

Malick Sidibé. Untitled, 1969/2004; silver gelatin print, hand-painted wooden frame. Courtesy of the Artist and Jack Shainman Gallery.

This week at Daily Serving we’re remembering the life and work of photographer Malick Sidibé (1935–2016), whose studio portraiture and candid images of nightlife in Mali during the 1960s and ’70s recorded a powerful time for the recently liberated country. As author Lia Wilson comments in her 2014 review, Sidibé’s photographs “chronicle a flourishing of human hope, ambition, and newfound opportunity” while remaining timeless. This article[…..]

From the Archives – Help Desk: Put the Artist First

Rachel Reupke. Still from Letter of Complaint, 2015; color video, 10 min.

Today we look back at an intriguing curatorial question from last year: “Which comes first—the artist or the machine?” Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This article was originally published on March 16, 2015 In the role of writer and curator,[…..]

From the Archives – Wynne Neilly: Female to “Male” at Ryerson Image Centre

Wynne Neilly. January 24th 2014-24th Shot, 2014; Fuji Instax Film; 4 ¼ x 3 ¼ in. Courtesy of the Artist and Ryerson Image Centre. Photo: Wynne Neilly.

Although International Transgender Day of Visibility was over a week ago (March 31), the need to show support for the transgender community only increases in urgency with the recent passing of anti-LGBTQ laws in North Carolina and Mississippi. Today at Daily Serving we’re thinking about the importance of amplifying trans narratives, including visual stories of personal experiences. As Shauna Jean Doherty shares in this Shotgun Review of[…..]