Posts Tagged ‘From the Archives’

From the Archives – Art in Limbo

Robert Smithson, Spiral Jetty (1970).  Image copyright Danielle Sommer.

On Tuesday, February 9, Utah’s House of Representatives will vote on whether to make Robert Smithson’s iconic land art, Spiral Jetty (1970), the state’s official work of art. If the legislation passes, Utah will become the first state to have an official work of art. Today we bring you Danielle Sommer’s reaction to the state’s initial acquisition of the work from the Dia Foundation. This[…..]

From the Archives – The Anti-Spectacle Generation

Leslie Hewitt, "Make it Plain, (2 of 5)", 2006.

Today, in honor of Dr. Martin Luther King Jr., we bring you Catherine Wagley’s review of the exhibition After 1968: Contemporary Artists and the Civil Rights Legacy. Following the author’s analysis of generational differences in attitudes towards protesting, it’s clear that although the featured artists came of age in a world devoid of Dr. King, the impact of his life’s work nonetheless resounded powerfully. This article[…..]

From the Archives: Interview with Judith Bernstein

QUATTRO CUNTS 2015 Oil on Canvas 84 x 84 Inches

Today from our archives we bring you Elspeth Walker’s refreshingly blunt interview with painter Judith Bernstein. As we begin the new year and consider our plans for the next twelve months, it’s important to recall Bernstein’s philosophy: “[I]t’s important to be true to what you want to say and how you want to handle that. You have to keep moving forward. You can’t just stay where[…..]

From the Archives – Help Desk: Friends in High(er) Places

Heidi Bucher. Untitled (Herrenzimmer), n.d.; Latex, cotton, approx. 102 1/4 × 71 × 7 1/2 ̋. Courtesy Freymond-Guth Fine Arts, Zürich.

Today from our archives we bring you an age-old question about how to respond to friends and acquaintances who ask for (un)professional favors. Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. This column was originally published on May 12, 2014. I work at[…..]

From the Archives– Paul Graham: The Present

8th-ave-42nd-street_17th-august-2010_11-23-03-am_diptych_stacked_resized

Today from the archives, we bring you Madeline McLean’s review of Paul Graham’s 2012 exhibition The Present at Pace Gallery. The Present was the last in a trilogy of photographic series made in the United States between 1998 and 2001 that began with shimmer of possibility and American Night. All three series are included in the current survey of Graham’s work at Pier 24, titled The Whiteness of the Whale. This review was originally published on March 29,[…..]

From the Archives – Kim Anno: Water City Berkeley at Kala Art Institute

Kim Anno. Water City Berkeley, 2013 (still); dual-projected video; 21:00. Courtesy of the artist.

Today from our archives we bring you a look back at John Zarobell’s review of Water City Berkeley at Kala Art Institute in Berkeley, California. The first line of the review says it all: “Why celebrate when the world is going to hell?” This article was originally published on December 22, 2013. Why celebrate when the world is going to hell? Kim Anno’s ambitious effort to envision the future of humanity[…..]

From the Archives – David Schutter: What Is Not Clear Is Not French at Rhona Hoffman Gallery

David Schutter, L LB dc 59, 2011-2014; chalk and crayon on paper; 13.375 x 9.375 inches. Courtesy Rhona Hoffman Gallery.

The 2015 Rome Prize winners include artists Mark Boulos, Emily Jacir, Senam Okudzeto, and David Schutter, and today from our archives we bring you a review of Schutter’s last show at Rhona Hoffman Gallery in Chicago. Author Steve Ruiz notes, “The strongest tension in David Schutter’s paintings is between their historical referents and their contemporary interpretation.” This article was originally published on May 28, 2014. At first appearance,[…..]