Posts Tagged ‘gender’

Fan Mail: Sarah Beth Woods

Sarah Beth Woods. A Big Diamond, 2016; hair weave, foam, door-knocker earrings; 67 x 7 x 30 in. Courtesy of the Artist.

True to its name, the BRAID/WORK series by Sarah Beth Woods operates within layers of social and material meaning, revealing a deconstructionist character even as it replicates the physical act of weaving. In the creation of these pieces, Woods pulls apart the concepts that make them legible. BRAID/WORK includes a 2016 performance and collaboration between Woods and the Malian-American professional hair braider, teacher, and entrepreneur[…..]

Renowned Feminist Art Historian Amelia Jones Believes that the Discipline of Art History Should be Restructured to Embrace New Narratives and Diverse Voices


This week, from our friends at Huffington Post, we bring you an article by artist and writer Jacqueline Bishop exploring the career of art historian Amelia Jones, who has long questioned and worked to challenge existing disciminatory structures as they relate to race, gender, and identity. Bishop quotes Jones, saying “From very early on I found myself interrogating the structures of the discipline, by asking such questions as, ‘Where[…..]

Summer Session – Baker/Rapoport/Wick

Video still from Baker/Rapoport/Wick, 1977.

Continuing our labor-themed Summer Session, today we direct you to video documentation of the work of Baker/Rapoport/Wick, a collective formed by the artists Mary Winder Baker, Debra Rapoport, and Susan Wick. The artists discuss the nature of their installation and performance work, saying, “We make certain assumptions that people can work collectively and collaboratively, but the reason we get hired to do things is because people[…..]

Interview with Mariah Garnett


Today from our friends at BOMB Magazine, we bring you an interview with Mariah Garnett. Author Risa Puleo speaks with Garnett about her time in Belfast, the making of the film/exhibition Other & Father, and the roles of identity and failure in her films. Garnett says, “That was one thing I was interested in for the film: the way identity is constructed and history is performed,[…..]

From the Archives: Interview with Judith Bernstein

QUATTRO CUNTS 2015 Oil on Canvas 84 x 84 Inches

Today from our archives we bring you Elspeth Walker’s refreshingly blunt interview with painter Judith Bernstein. As we begin the new year and consider our plans for the next twelve months, it’s important to recall Bernstein’s philosophy: “[I]t’s important to be true to what you want to say and how you want to handle that. You have to keep moving forward. You can’t just stay where[…..]

Best of 2015 – Interview with Johanna Hedva


For today’s installment of our Best of 2015 series, Art Practical editor Jen Stager writes, “Stills from Johanna Hedva’s Medea offer up intimate views so at odds from sitting with other audience members in an outer ring of the Theater of Dionysos in Athens. I am always drawn to adaptations of Greek plays for what they choose to change. Medea is often described as a[…..]

Interview with Johanna Hedva


Johanna Hedva is a Los Angeles-based artist and writer whose recent piece She Work was performed at d e e p s l e e e p, a private apartment in Los Angeles, from July 11­–26, 2015. She Work is a queer adaptation of Euripides’ play Medea, in which Jason abandons Medea and their children, marrying a Greek princess to advance his political position. Medea[…..]