Posts Tagged ‘gender’

Best of 2014 – #Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

Here at Daily Serving we count down the days to the New Year by presenting you with our best writing from the outgoing year. Our first selection, from our 2014 #Hashtags column, comes from Lia Wilson: “Anuradha Vikram‘s investigation of Kara Walker’s The Marvelous Sugar Baby, is an incredibly deft navigation of the entanglement of race, gender, class, labor, capitol, and representation operating within the[…..]

The Female Gaze at the Atrium Gallery at Haverford College

The Atrium Gallery at Haverford College is a smaller venue than the works of Diane Arbus and Carrie Mae Weems have seen in the past year; their works have appeared in the Victoria and Albert Museum in London and the Studio Museum in Harlem, New York, respectively. Yet here they are in the periphery of Philadelphia, along with the likes of Nan Goldin, Vivian Maier, and[…..]

#Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

#race #gender #gentrification #access #development #labor Kara Walker’s massive sphinx at the Domino Sugar Factory in Brooklyn, titled At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of[…..]

Help Desk: A Man’s World?

Cosima von Bonin. Internationales Wollsekretariat, 2003; wool, cotton, loden; 108.27 x 112.99 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here: http://bit.ly/132VchD. All submissions become the property of Daily Serving. Recently I was invited to join an artists’ group that meets about once a month. These meetings have no particular agenda outside of socializing and conversation, and so I[…..]

Repetition and Difference: LTTR

LTTR. Cover of “Listen Translate Translate Record,” no. 2; August 2003; edition of 1000; 12.5 x 12.5 in, folded. Silka Sanchez. Untitled, 2003. Courtesy of LTTR.

Today from our partners at Art Practical we bring you an essay on the New York-based LTTR, who describe themselves as “a feminist genderqueer artist collective with a flexible project-oriented practice.” As author Julia Bryan-Wilson notes, “…LTTR rallies people together with ardent enthusiasm.” This article was originally published on December 4, 2013. “It is our promiscuity that will save us,” AIDS activist and art theorist Douglas Crimp asserted in 1987, a[…..]

#Hashtags: The Ethnicity Exhibition

Lorraine O’Grady. Untitled (Mlle. Bourgeoise Noire and her Master of Ceremonies enter the New Museum),
1980–83, printed 2009. Gelatin silver print. 7 1/4 x 9 1/4 in. Courtesy the artist and Alexander Gray Associates, New York.

#race #ethnicity #gender #institutions #access #identity Since the Civil Rights Era, it has become commonplace for marginalized ethnic communities to instate their own institutions of sociological and cultural study such as university Ethic Studies departments and museums like Brooklyn’s Museum of Contemporary African Diaspora Arts. In the face of extreme prejudice and exclusion from the discourses of history and art, many have felt the necessity[…..]