Posts Tagged ‘Glasstire’

Janet Cardiff and George Miller: Infinity Machine at the Menil Collection

Janet Cardiff and George Miller. The Infinity Machine, 2015 (detail). Mixed-media installation in the byzantine Chapel of the Menil Collection, Houston.

From our friends at Glasstire, today we bring you an excerpt from Terry Mahaffey’s review of the inaugural installation at the Byzantine Chapel in Houston. Mahaffey explores his memories of the site—it originally housed a series of frescoes, now gone—and wonders if Janet Cardiff and George Miller’s installation would be better presented in a more neutral space. This article was originally published on April 20, 2015. Dominique de Menil’s[…..]

Loris Gréaud: The Unplayed Notes Museum at Dallas Contemporary


From our friends at Glasstire, today we bring you Christina Rees’ review of Loris Gréaud’s current solo exhibition at Dallas Contemporary. Rees describes the choreographed destruction of the work and characterizes the show as “a partial and contrived ruin,” noting that neither the artist nor the visitors seem invested. This article was originally published on January 19, 2015.  I suppose in the event of a chemical attack[…..]

William Kentridge’s Poetic Cinema

William Kentridge. Drawing for the film Other Faces, (Crowds in city streets), 2011;
Charcoal and colored pencil on paper, 27.5 x 48 in.

“Other Faces” assumes the feel of reportage, as if we are witnessing certain events from the struggle against colonialism in South Africa’s turbulent past.

Deborah Roberts: One and Many at Art Palace

Deborah Roberts. Untitled No. 33, n.d.; Mixed media on paper, 14 x 17 in.

From our friends at Glasstire, today we bring you a review of Deborah Roberts’ current solo show at Art Palace in Houston, Texas. Author Betsy Huete notes, “To make political work without literally telling the viewer how he should think or feel is a tall order, yet Roberts pulls it off masterfully by intertwining the personal with the ideological. She infuses her work with subtle yet powerful[…..]

Protect Me From What You Want

Logo of the sports drink "Brawndo," from the 2006 movie "Idiocracy," directed by Mike Judge.

Today from our friends at Glasstire, we bring you Christina Rees’ essay on the “making [of] museums into happy-clappy community centers,” written in response to the controversial article “Everybody’s an Art Curator” in the Wall Street Journal. As Rees points out: “No other serious profession seems to open itself up to this ‘the public knows best’ mentality as much as that of art. I cannot imagine[…..]

How to Make a Non-Didactic Video

Camille Henrot. Grosse Fatigue, 2013; Video: color, sound, 13 min. © ADAGP Camille Henrot. Courtesy the artist, Silex Films and kamel mennour, Paris.

Today from our friends at Glasstire, we bring you Joshua Fischer’s assessment of two videos currently on view in Houston, Texas. Instead of comparing works in the same exhibition, Fischer reviews videos by the artists Hito Steyerl and Camille Henrot in two different shows and defines the likenesses between them. He notes, “Steyerl and Henrot may have different outlooks and approaches […] but luckily they share[…..]

Black Drop: Astral Observations In Spring, TX

Simon Starling. Black Drop, 2012; two stills from single channel projection (35 mm film transferred to HD), duration 27:42, the Museum of Fine Arts, Houston, joint acquisition of the Museum of Fine Arts, Houston, funded by the Anchorage Foundation; and the Dallas Museum of Art, funded by the DMA/amfAR Benefit Auction Fund. Image courtesy of the artist and Casey Kaplan, NY. © Simon Starling and Casey Kaplan, NY.

From our friends at Glasstire, today we bring you a review of Simon Starling’s film Black Drop. Author Peter Lucas notes, “The collaboration of art and science interests that led to the creation of the piece are fitting for its subject matter, as are the intersections of Texas arts institutions that led to the work’s first local exhibition at [a] suburban museum.” This article was originally published[…..]