Posts Tagged ‘Globalization’

Kehinde Wiley: A New Republic at Seattle Art Museum

Kehinde Wiley. Mrs. Waldorf Astor, 2012; oil on linen; 72 x 60 inches. © Kehinde Wiley.

A New Republic at Seattle Art Museum is Kehinde Wiley’s second solo exhibition organized by the Brooklyn Museum. In his brief fifteen-year career, Wiley has quickly become an established cultural trope. His works have adorned the set of Empire and served as icons of the FIFA World Cup. His portraits of Black men and women are at once celebrated as a vision of Black empowerment[…..]

Best of 2015 – #Hashtags: The Political Biennale

GLUKLYA/ Natalia Pershina-Yakimanskaya. Clothes for the demonstration against false election of Vladimir Putin, 2011-2015. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photo by Alessandra Chemollo. Courtesy: la Biennale di Venezia.

Continuing our Best of 2015 series, regular contributor Jordan Amirkhani writes,“I am always eager to clear a few minutes out of my day to read a new article or post by Anuradha Vikram. I am continually inspired by the style and substance of her writing, in particular, her commitment to confronting the political (or the lack of it) in each article she writes. Vikram’s breakdown of the[…..]

Come As You Are: Art of the 1990s at the Telfair Museums

Come As You Are: Art of the 1990s, 2015; installation view, Jepson Center for the Arts, Telfair Museums, Savannah, Georgia. Courtesy of Telfair Museums. Photo: David J. Kaminsky.

Finally, here is an exhibition for which an accompanying Spotify playlist seems perfectly natural. Songs like “Smells Like Teen Spirit” by Nirvana and “Vogue” by Madonna are closely connected to the not-so-recent decade that the Telfair Museums represents through works of art in Come As You Are: Art of the 1990s. Curated by Alexandra Schwartz with Kimberly Sino (both of the Montclair Art Museum, where[…..]

#Hashtags: The Political Biennale

Padiglione Centrale 
Giardini, Venezia 
2015. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photo: Alessandra Chemollo. Courtesy: la Biennale di Venezia.

#nationalism #institutions #power #access #globalization #protest #labor #capital The 56th Venice Biennale, “All the World’s Futures,” has been hailed as the “political” Biennale both by its curator Okwui Enwezor and by the international art press. That designation has come in for significant criticism from some who feel that contemporary art either can not or should not address political concerns, given the commodity status of art objects[…..]

#Hashtags: Human Kind

Khaled Hourani. Picasso in Palestine, 2009-2011. Photo by Sander Buyck.

#occupation #migration #civilrights #globalization #fundamentalism “Only crime and the criminal, it is true, confront us with the perplexity of radical evil; but only the hypocrite is really rotten to the core.”—Hannah Arendt “They were forced […] to condemn us without believing in our existence.”—Claude Cahun The horrific images emerging from Gaza in the past weeks have displaced any other visual reference in my mind, artistic[…..]

#Hashtags: The Global in the Local

Wendelien van Oldenborgh. La Javanaise, 2012. Film production still. Photo by Bárbara Wagner.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, “Collecting Geographies—Global Programming and Museums of Modern Art,” invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest. Each of the topics raised by these questions—globalization, colonial collections, and the critical history of the museum among[…..]

Fan Mail: Yukihiro Kaneuchi

For this edition of Fan Mail, Yukihiro Kaneuchi of Tokyo, Japan has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. Born in 1984, Yukihiro Kaneuchi grew up in Fukuoka, on the north shore of Kyushu, the[…..]