Posts Tagged ‘Guernica’

Kameelah Rasheed: Who Will Survive in America?

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Today, from our friends at Guernica, we bring you a conversation between artist Kameelah Rasheed and author Imani Roach. They talk about the “stutters” and footnotes of history, archiving as art, visibility, and Rasheed’s project How to Suffer Politely (And Other Etiquette). This article was originally published on March 6, 2017. Perhaps, while strolling down the sidewalks of New York City, or scanning your Instagram feed, you’ve[…..]

Sarah Crowner: Touch the Tile

Sarah Crowner. Beetle in the Leaves, 2016; Installation view.

From our friends at Guernica, today we bring you an interview with artist Sarah Crowner. Author Elizabeth Karp-Evans and Crowner discuss her show at MASS MoCA (open through February 2017), her art-historical influences, craft, and constructivism. Crowner states, “I think that art history can be a medium that can be manipulated in the same way that a material, like paint or clay, can be.” This article[…..]

A Changeless Place

Jave Yoshimoto. Numinous Lethologica, 2015; gouache on paper; 30 x 44 in.

From our friends at Guernica, today we bring you A Changeless Place: Jill J. Tan interviews Jave Yoshimoto. Tan speaks with Yoshimoto, a trained art therapist and practicing artist, about his intricate and brightly rendered gouache depictions of tragedy and disaster. Yoshimoto says, “The news cycle moves so quickly; even if we read about tragedy today, we may forget about it tomorrow. I hope my work is a[…..]

Summer Session – Freestyle: Interview with Rashaad Newsome

Rashaad Newsome. King of Arms, 2013 (performance still); live procession in City Park, New Orleans. Courtesy of the Artist. Photo: Jena Cumbo.

Today for our Summer Session theme of celebrity we bring you an interview between curator Laura Blereau and artist Rashaad Newsome from our friends at Guernica. Newsome’s cooptation of heraldic symbolism blends the opulent vernacular of aristocracy with feminist and pop-cultural forms, forming a critique of the art world, hip-hop, and global capitalism that is both pointed and complicit. This article was originally published on March 17, 2014. Guernica: The kind of art[…..]

Summer Session – Vipralambha (Union Through Separation)

Zahra-Jewanjee-and-Simon-Coates

This month we’re taking an in-depth look at the nexus of labor and art, and today from our friends at Guernica we bring you an excerpt from an essay by Simon Coates, who discusses a project completed with his collaborator Zahra Jewanjee: “Vipralambha didn’t start life as a paean to the Indo-Pak workforce in Dubai. The stated aim of the piece was to meld sounds from two countries that share[…..]

Summer Session – Life/Work

Today from our friends at Guernica, we bring you an excerpt from a conversation between Jen Delos Reyes, J. Morgan Puett, and Mierle Laderman Ukeles. The former is the founder of Open Engagement, an annual conference “committed to examining how artists, institutions, and publics approach art and social practice”; the latter two are artists who work the everyday—including labors such as chores and childcare—into their practices.[…..]

Be the Kill-Joy: Interview with DarkMatter

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Today, from our friends at Guernica, we bring you an interview with queer South Asian performance-art duo DarkMatter. Author Kevin St. John says of their performance at Mercury Lounge, “The evening’s performance at times resembled a political rally, a downtown drag act, an agit-prop polemic, a stand-up routine, and a traditional poetry reading. The duo performed much of the text together, talking over one another, jumping[…..]