Posts Tagged ‘Guerrilla Girls’

The Guerrilla Girls and La Barbe at mfc-michèle didier

La Barbe. Au patriarcat, les hommes reconnaissants [To the patriarchy, the grateful men]; digital print; 8.3 x 11.7 in. Courtesy of La Barbe. Photo: Charles Duprat.

After thirty years of the Guerrilla Girls presenting statistics that repeatedly show the underrepresentation and misrepresentation of women in public collections, museums, and galleries around the world, one would think that these institutions would have been driven to promote changes en masse, if only out of shame. Yet, as the New York–based feminist group keeps evidencing, the archaic status quo in the art world has proven[…..]

Summer Session – Guerrilla Girls Talk the History of Art vs. the History of Power

Today for our Summer Session topic of celebrity, we bring you an interview from The Late Show with Stephen Colbert with the feminist art activists the Guerrilla Girls. Colbert and the Guerrilla Girls talk about the ways in which institutional power limits the possibilities for representation in museums and galleries, thereby shaping the narrative of art history and also popular taste. Moreover, the interview itself is[…..]

Summer Session – Women’s Work at Smith College Museum of Art

Mierle Laderman Ukeles. Dressing to Go Out/Undressing to Go In, 1973 (printed 1998); 95 black-and-white photographs mounted on foamcore with chain and dustrag; 57-5/16 x 44-7/16 in. Courtesy of Smith College Art Museum, purchased with the Judith Plesser Targan, class of 1953, Fund.

Continuing our labor-themed Summer Session, today we bring you Lia Wilson’s thoughtful, thorough review of Women’s Work: Feminist Art From the Collection at Smith College Museum of Art. This article was originally published on October 29, 2015.   The exhibition Women’s Work is constructed within a historical frame. All of the included artists are introduced as individuals prominent in second-wave feminism, defined as a past[…..]

From the Archives – Women’s Work at Smith College Museum of Art

Carolee Schneeman. Eye Body #1, 1963–79; gelatin-silver print with hand coloring and scratching; 14 in x 11 1/2 in. Courtesy of Smith College Art Museum, purchased with the Judith Plesser Targan, class of 1953, Fund.

We were delighted to see art-world activists the Guerrilla Girls on the Late Show with Stephen Colbert to promote their exhibition at the Walker, which opened last week (on view until December 31, 2016). To round out the historical context of second-wave feminism from which the Guerrilla Girls emerged, today we bring you Lia Wilson’s review of Women’s Work: Feminist Art From the Collection at[…..]

Women’s Work at Smith College Museum of Art

Guerilla Girls. The Advantages of Being a Woman Artist from Guerilla Girls, Most Wanted, 1985–2006, 1988; lithograph printed in black on paper, 17 x 22-1/8 in. Courtesy of Smith College Art Museum, purchased with the gift of the Fred Bergfors and Margaret Sandberg Foundation.

The exhibition Women’s Work is constructed within a historical frame. All of the included artists are introduced as individuals prominent in second-wave feminism, defined as a past era from the 1960s through the 1980s, a period with a beginning and an end. It cannot be denied that a great deal has changed in both feminist thought and social mores since then. Third-wave feminism called out[…..]