Posts Tagged ‘Hammer Museum’

Alex Da Corte: A Season in He’ll at Art + Practice

Alex Da Corte, A Season in He'll, installation view. Courtesy of Art + Practice, Los Angeles. Photo by Joshua White.

There is a scene early on in Lamberto Bava’s 1986 low-budget Italo-horror schlock fest Demons 2: A sinister figure is seen limping down a hallway. He enters a room, picks up a knife that is covered in what looks like blood, and wipes it on his soiled apron. The camera then reveals the source of the gory substance: a jar of syrup that has been[…..]

Summer Session – The Dark Side of Mickey Mouse: Llyn Foulkes at the New Museum

Llyn Foulkes. The Lost Frontier, 1997–2005; mixed media; 87 x 96 x 8 in. Courtesy of the artist and The New Museum

For this Summer Session topic of celebrity, today we bring you Allegra Kirkland’s review of the 2013 Llyn Foulkes retrospective at the New Museum. Across all of his multi- and mixed-media works, Foulkes’ oeuvre holds a special fascination for the hollow promises of fame implicit in American popular figures, like Mickey Mouse and Clark Kent. His heavily textured style viscerally manifests the darkness beneath the saccharine[…..]

John Outterbridge: Rag Man at Art + Practice

John Outterbridge. Case in Point, c. 1970 (from the Rag Man Series); mixed media; 12 x 12 x 24 inches. Collection of the Hammer Museum. Photo: Andrew Zermeño.

In the South Central Los Angeles neighborhood of Leimert Park, an art and social movement is gaining steam. Art + Practice is a community outreach and education center as well as a gallery in partnership with UCLA’s Hammer Museum. Founded by artist Mark Bradford, philanthropist Eileen Harris Norton, and social activist Allan Di Castro, Art + Practice aims to educate and prepare disadvantaged foster youth[…..]

Lawren Harris: The Idea of North at the Hammer Museum

Lawren Harris. North Shore, Lake Superior, 1926; oil on canvas; 40.25 x 50.13 in. Courtesy of the National Gallery of Canada. ©Family of Lawren S. Harris. Photo: ©NGC.

“You need to understand, Patricia, that every Canadian recognizes these paintings,” so explained my friend and guide, a native Torontonian, as we walked through The Idea of North: The Paintings of Lawren Harris at the Hammer Museum. “Canadians who have no other art-historical point of reference know who the Group of Seven are.” This school of early 20th-century Canadian landscape painters occupies the periphery of[…..]

UH-OH: Frances Stark 1991-2015 at the Hammer Museum

Frances Stark. Bobby Jesus’s Alma Mater b/w Reading the Book of David	and/or Paying Attention Is Free, 2013; multichannel projection with sound, inkjet 	mural, and takeaway offset posters; 7:20 min. Installation view, Carnegie International, 2013. Courtesy of Marc Foxx Gallery, Los Angeles. Photo: Brian Conley.

In a mid-career survey as large as UH-OH: Frances Stark 1991–2015, on view at the Hammer Museum, I’m usually tempted to rush over a couple of galleries and maybe even skip a video here or there. From the get-go, Stark’s exhibition, featuring 125 drawings, collages, paintings, and video installations, had me enthralled with My Best Thing (2011), a 100-minute-long episodic animation based on the artist’s[…..]

Hammer Projects: Mary Reid Kelley at Hammer Museum

Mary Reid Kelley with Patrick Kelley. Priapus Agonistes, 2013 (video still). Single-channel HD video, black and white, sound; 15:09 min. Courtesy of the Artists; Susanne Vielmetter Los Angeles Projects; Fredericks & Freiser Gallery, New York; and Pilar Corrias, London.

Now on view at Hammer Museum, Mary Reid Kelley’s videos are a collision of drawing, performance, and wordplay that clatter against Greek mythology to produce a visually spare, lexically rich cycle. Working with videographer Patrick Kelley, the artist has produced three black-and-white videos that follow the story of the half-woman, half-bull Minotaur, her lust-crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.[…..]

The Unmooring of Jibade-Khalil Huffman

Jibade-Khalil Huffman. Untitled (Cake), 2015. Archival inkjet print, 8 x 10 in. Courtesy of the Artist.

Today from our partners at Art Practical, we bring you Anna Martine Whitehead’s consideration of the work of artist Jibade-Khalil Huffman. The author notes, “For Huffman, poetry is a means to shape-shift and mistranslate, reforming meaning by first dissolving it.” This article was originally published on April 16, 2015.  In her pivotal essay “Poetry Is Not a Luxury,” Audre Lorde writes of the “places of possibility[…..]