Posts Tagged ‘Hammer Museum’

Hammer Projects: N. Dash at The Hammer Museum

N. Dash. Untitled, 2014; adobe, oil, pigment, string, acrylic, linen, jute, and wood support. Courtesy of the Artist. Photo: The Hammer Museum.

N. Dash’s solo exhibit at the Hammer Museum begins with a series of Duratrans transparencies displaying magnified wreaths of frayed fabric in architectural light boxes. Her work, which faces the open and airy courtyard of the Los Angeles museum, was presented in conjunction with the Mandala of Compassion for two weeks, a live exhibit in which Tibetan Buddhist monks constructed a sacred mandala using colored sands[.....]

The Dark Side of Mickey Mouse: Llyn Foulkes at the New Museum

Llyn Foulkes. Pop, 1985-90; mixed media with soundtrack; 84 x 123 x 3 in. Courtesy of the artist's website.

Llyn Foulkes ranks among that rare cadre of artists for whom fame is an optional extra. Over the course of his fifty-year career, the Los Angeles–based multimedia artist and musician has experienced periods of success—for his monumental Pop-influenced paintings of rocks and, decades later, for his zany, large-scale narrative tableaux. But much of his work has been met with silence from critics and buyers, allowing[.....]

Llyn Foulkes at the Hammer Museum

For both Walt Disney and Llyn Foulkes, it all started with a mouse. Mickey, to be precise, accompanied both men throughout their respective careers—Disney in a manner of lucrative iconography, and Foulkes in a manner of psychological distress. To most, the cartoon rodent was the paragon of jubilant youth, but through Foulkes’ lens, Mickey was a sanitized, furtive representative of the rats infesting the politics,[.....]

If You Weren’t So Gorgeous

narcissister-every-woman

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “She could have been signed on the basis of her pedigree alone,” said columnist Stephen Metcalf, talking about Whitney Houston on Slate’s culture podcast Tuesday, four days after the singer’s death. “Her godmother was Aretha Franklin. Her mother was an accomplished gospel singer. Her cousins were Deedee and Dionne Warwick. She could[.....]

Death Panel Discussion

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “There are no easy happy endings anymore,” said writer David Levithan when interviewed about The Lover’s Dictionary, a novel told entirely through “definitions” of words like “aberrant” and “quixotic.” But there are no easy sad endings anymore, either–even though the romance the book dissects is doomed from the start, Levithan indulges in[.....]

Rob Fischer

The Hammer Museum in Los Angeles is known for presenting exciting new works from emerging and mid-career artists through the Hammer Projects program. Currently on view at the museum are new works by Brooklyn-based artist Rob Fischer. Utilizing materials that are deeply embedded with a sense of social history through their once utilitarian function, Fischer recontextualizes the materials to create new meaning and form. For[.....]