Posts Tagged ‘#hashtags’

From the Archives – #Hashtags: Mimics and Minstrels

Sturtevant. Warhol Black Marilyn. 2004. Synthetic polymer silkscreen and acrylic on canvas. 15 ¾ x 13 ¾ in. (40 x 35 cm). Ringier Collection, courtesy Anthony Reynolds Gallery, London.  © Sturtevant.

Since July 2013, Daily Serving’s #Hashtags column has been written by Anuradha Vikram, Director of the Residency Programs at the 18th Street Arts Center in Los Angeles. For the past year, Vikram has eloquently and intelligently voiced arguments about—among other topics—institutionalized racism, representations of marginalized identities, and economic inequality, all the while offering nuanced critiques of the artworks that take up these subjects. (For example, see her incisive review of LaToya Ruby Frazier’s[.....]

#Hashtags: Human Kind

Khaled Hourani. Picasso in Palestine, 2009-2011. Photo by Sander Buyck.

#occupation #migration #civilrights #globalization #fundamentalism “Only crime and the criminal, it is true, confront us with the perplexity of radical evil; but only the hypocrite is really rotten to the core.”—Hannah Arendt “They were forced […] to condemn us without believing in our existence.”—Claude Cahun The horrific images emerging from Gaza in the past weeks have displaced any other visual reference in my mind, artistic[.....]

#Hashtags: The Politics of Rehearsal

Emily Mast. B!RDBRA!N (Epilogue), 2012. Exhibition and performance as part of Public Fiction’s 
Theatricality and Sets series. Photographer: Anitra Haendel.

#institutions #revision #making #access #nostalgia The second Made in L.A. biennial at the UCLA Hammer Museum indicates both the scope and diversity of the city’s many emerging and early-mid-career artists, and the pull that the art academy continues to exert on artists long after the completion of their degrees. The biennial’s emergence in 2012 marked a milestone in the evolution of Los Angeles as an art capital, no[.....]

#Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

#race #gender #gentrification #access #development #labor Kara Walker’s massive sphinx at the Domino Sugar Factory in Brooklyn, titled At the behest of Creative Time Kara E. Walker has confected: A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of[.....]

#Hashtags: Critiquing Museums from the Outside In

The Broad_exterior rendering

#museums #architecture #philanthropy #urban development #institutional critique #spectacle #metaphor In January, the Los Angeles 2020 Commission, a group of thirteen experts convened by the Los Angeles City Council to assess the city’s civic problems, delivered a damning report. Titled “A Time for Truth,” it begins with the statement “Los Angeles is barely treading water while the rest of the world is moving forward,” and gets[.....]

#Hashtags: On Disgust

Rina Banerjee. She was now in western style dress covered in part of Empires' ruffle and red dress, had a foreign and peculiar race, a Ganesha who had lost her head, was thrown across sea until herself shipwrecked. A native of Bangladesh lost foot to root in Videsh, followed her mother full stop on forehead, trapped tongue of horn and grew ram-like under stress, 2011. Cowrie shells, rooster feather, gourds, acrylic horns, ceramic balls, plastic netting, amber glass vials, violet glass bulbs, false glass doe eyeballs, silk and synthetic Lanvin ruffled red dress. 73 x 65 in. dia. (185.4 x 165.1 cm).
Copyright Rina Banerjee. Courtesy L.A. Louver, Venice, CA.

#other #violence #misogyny #racism #Orientalism #hybridity An act of senseless violence at UC Santa Barbara this past week has reignited an online conversation about the interrelationship between race, gender, discrimination, and violence. While the tweets and subsequent articles around #yesallwomen have drawn public attention to the gendered assumptions that underpin violent behavior, less visibility has accrued to the role that Orientalism played in dehumanizing and[.....]

#Hashtags: Mimics and Minstrels

#access #discrimination #appropriation #institutions #representation #re-performance Two important events transpired in the art world last week that have brought the complications of diversity and hierarchy into sharp focus. The first is the passing of artist Elaine Sturtevant, an artist who sublimated a critique of gendered inequity among artist peers into works that appropriated and re-created works deemed significant to the canon of contemporary art. The other[.....]