Posts Tagged ‘#hashtags’

#Hashtags: Critiquing Museums from the Outside In

The Broad_exterior rendering

#museums #architecture #philanthropy #urban development #institutional critique #spectacle #metaphor In January, the Los Angeles 2020 Commission, a group of thirteen experts convened by the Los Angeles City Council to assess the city’s civic problems, delivered a damning report. Titled “A Time for Truth,” it begins with the statement “Los Angeles is barely treading water while the rest of the world is moving forward,” and gets[…..]

#Hashtags: On Disgust

Rina Banerjee. She was now in western style dress covered in part of Empires' ruffle and red dress, had a foreign and peculiar race, a Ganesha who had lost her head, was thrown across sea until herself shipwrecked. A native of Bangladesh lost foot to root in Videsh, followed her mother full stop on forehead, trapped tongue of horn and grew ram-like under stress, 2011. Cowrie shells, rooster feather, gourds, acrylic horns, ceramic balls, plastic netting, amber glass vials, violet glass bulbs, false glass doe eyeballs, silk and synthetic Lanvin ruffled red dress. 73 x 65 in. dia. (185.4 x 165.1 cm).
Copyright Rina Banerjee. Courtesy L.A. Louver, Venice, CA.

#other #violence #misogyny #racism #Orientalism #hybridity An act of senseless violence at UC Santa Barbara this past week has reignited an online conversation about the interrelationship between race, gender, discrimination, and violence. While the tweets and subsequent articles around #yesallwomen have drawn public attention to the gendered assumptions that underpin violent behavior, less visibility has accrued to the role that Orientalism played in dehumanizing and[…..]

#Hashtags: Mimics and Minstrels

#access #discrimination #appropriation #institutions #representation #re-performance Two important events transpired in the art world last week that have brought the complications of diversity and hierarchy into sharp focus. The first is the passing of artist Elaine Sturtevant, an artist who sublimated a critique of gendered inequity among artist peers into works that appropriated and re-created works deemed significant to the canon of contemporary art. The other[…..]

#Hashtags: Education on Contingency

Christian Nagler. Yoga for Adjuncts, 2014. Workshop at  Valuing Labor in the Arts: A Practicum. Photo by Michelle Ott. Courtesy of Arts Research Center, UC Berkeley.

#adjuncts  #unions #MFA #precarity #affective #labor This past May Day week, there has been much chatter about the decision by adjunct faculty at the San Francisco Art Institute to file for a union election. This comes on the heels of a similar decision to file for union election by Mills College adjuncts and the formation of a union to represent adjuncts at the Maryland Institute[…..]

#Hashtags: Rebel Rebel

Leee Black Childers. Andy Warhol Interviews Jackie Curtis at the Factory, New York, 1970. Digital C-print.

#transgender #LGBTQ #counterculture #scarcity #precarity #pop As a young art-school graduate trying to understand the artist’s life that I had chosen, I could have had no better tutor than Leee Black Childers, who died April 6 at age 68. Childers, photographer and minder for rock stars and transgender icons, led the sort of life that the rest of us only read about. His generation, in the[…..]

#Hashtags: Institutionalized Critique

Andrea Fraser. Museum Highlights: A Gallery Talk, 1989. Single-channel video (Betacam SP NTSC), color, sound. 30:00 min. Courtesy of the artist.

#museums #historicity #institutional critique #detournement #appropriation The exhibition Take It or Leave It: Institution, Image, Ideology at UCLA’s Hammer Museum is an effort to comprehensively document the artistic modes of appropriation and institutional critique that emerged in American contemporary art of the 1970s–1990s. While related, these are two distinct forms—appropriation being the art of repurposing images and forms from an established, original context to a new, transformative[…..]

#Hashtags: The Global in the Local

Wendelien van Oldenborgh. La Javanaise, 2012. Film production still. Photo by Bárbara Wagner.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, “Collecting Geographies—Global Programming and Museums of Modern Art,” invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest. Each of the topics raised by these questions—globalization, colonial collections, and the critical history of the museum among[…..]