Posts Tagged ‘Helena Keeffe’

Valuing Labor in the Arts: Negotiating Terms and Setting Precedents

Gauging the Grey Area workshop, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco.

From our partners at Art Practical, today we bring you Patricia Maloney’s response to the workshop “Gauging the Gray Area: Standards for Artistic Labor,” which was part of the practicum Valuing Labor in the Arts hosted by the Arts Research Center at UC Berkeley. Maloney notes, “…negotiation is the most demonstrable and effective means of creating agency.” This article was originally published on May 22, 2014. “Gauging the[…..]

Value/Labor/Arts: The Manifestos

W.A.G.E., Artist Payment Graphic, excerpt from W.A.G.E. graphic poster of artist survey results, 2011.

From our friends at Art Practical, today we bring you a publication that is more archive than article: Value/Labor/Arts: The Manifestos was one part of the spectacular issue “Valuing Labor in the Arts” that was guest-edited by Shannon Jackson, Director of the Arts Research Center at UC Berkeley. Compiled by Jackson and artist Helena Keeffe, Value/Labor/Arts: The Manifestos presents seven “recent and… not-so-very-old manifestos of artists who found[…..]

Value/Labor/Arts: A Primer

Anna Gray + Ryan Wilson Paulsen. 100 Posterworks, 2009-2013; printed poster; 11 x 17 in. Courtesy of the Artists.

“When is it okay to work for free? Is it acceptable as long as you’re working with—or for—another artist? What is an artistic service?” These are some of the questions raised by Shannon Jackson, director of UC Berkeley’s Arts Research Center, in her introduction to Art Practical‘s latest issue, Valuing Labor. She notes, “These are just a few of the hundreds of questions circulating for artists working in the 21st-century[…..]

Standard Deviation

As a part of our ongoing partnership with Art Practical, today we bring you Helena Keeffe‘s essay on labor and transparency. If you’ve ever been an intern, volunteered, or otherwise worked for free, looked for ways to support yourself as an artist, or wondered where you might get the tools necessary to weigh the risks and benefits of low-paying opportunities, you should take the time[…..]