Posts Tagged ‘historical survey’

The Conjured Life: The Legacy of Surrealism at the Cantor Arts Center

Gertrude Abercrombie. The Courtship, 1949; oil on Masonite; 21 3/4 × 25 1/4 in. Courtesy of the Museum of Contemporary Art Chicago.

All publicity concerning The Conjured Life: The Legacy of Surrealism at Stanford University’s Cantor Art Center features The Courtship (1949) by Gertrude Abercrombie, one of six artists from the Chicago-Milwaukee-Madison parasurrealist group of the ’40s. I saw this painting once in LACMA’s all-women show of Surrealists, In Wonderland (2012), and looked forward to our reunion some five years and 361 miles hence. The inclusion of a[…..]

From the Archives – Beverly Buchanan: Ruins and Rituals at the Brooklyn Museum

Beverly Buchanan. Low Country House, n.d.; wood, 17.75 x 16.75 x 13.25 in. ©Estate of Beverly Buchanan. Courtesy of Jane Bridges and the Brooklyn Museum. Photo: Adam Reich.

On Saturday, millions of women around the world marched to protect their rights and make their voices heard for equality, pouring into the streets and carrying signs with messages both personal and political. In light of the energy their work manifested, today we bring you Lia Wilson’s review of Beverly Buchanan’s exhibition at the Brooklyn museum; unlike the signs and banners from #WomensMarch—many of which are now[…..]

Beverly Buchanan: Ruins and Rituals at the Brooklyn Museum

Beverly Buchanan. Untitled (Double Portrait of Artist with Frustula Sculpture), n.d.; black and white photograph with original paint marks, 8 ½ x 11 inches. ©Estate of Beverly Buchanan, Courtesy of Jane Bridges and the Brooklyn Museum.

A comprehensive and long overdue exhibition of Beverly Buchanan’s work kicks off A Year of Yes: Reimagining Feminism at the Brooklyn Museum—a yearlong program of ten exhibitions celebrating the first decade of the museum’s Elizabeth Sackler Feminist Art Center. In a time when voices of misogyny and white supremacy are gaining renewed validation in national political discourse, exploring assumptions around feminism and what feminist art[…..]

Black Panther Party: 50th Anniversary Exhibitions

Anonymous. Untitled (Clenched Fist), circa 1965; wood; 3 x 5.5 inches. Collection of the Oakland Museum of California, Museum Purchase.

Seven exhibitions in Oakland and Berkeley commemorate the Black Panther Party’s (BPP) founding in October 1966. The celebration of one of the most successful and provocative social and political movements in American history reflects upon the Party’s profound influence. As Party member and long-time activist and educator Ericka Huggins notes, the breadth of engagement helped spread the Party’s resistance message: “The Black Panther Party always[…..]

Revolution in the Making: Abstract Sculpture by Women, 1947–2016, at Hauser Wirth & Schimmel

Magdalena Abakanowicz. Wheel with Rope, 1973; installation view, Revolution in the Making: Abstract Sculpture by Women, 1947-2016. Courtesy of the artist and Hauser Wirth & Schimmel, Los Angeles, CA.

With galleries in Zurich, London, Somerset, and New York, the Hauser & Wirth enterprise has inaugurated their newest outpost in Los Angeles, Hauser Wirth & Schimmel, with the exhibition Revolution in the Making: Abstract Sculpture by Women, 1947–2016. Curated by Jenni Sorkin and Paul Schimmel, the show sprints through seventy years of art history with nearly one hundred works by thirty-four women. Sorkin and Schimmel[…..]