Posts Tagged ‘Hong Kong’

Summer Session – The Artist Using Meat to Deform and Deconstruct Celebrity

James Ostrer. Emotion Download 213M, 2016, from The Ego System series; photograph; 101 x 67cm. Courtesy of the Artist.

For this Summer Session we’re thinking about celebrity, and today we’re considering the divide between the promise and the reality of celebrity influence. Over at Dazed, Thomas Gorton has penned a review of artist James Ostrer’s series The Ego System, a set of portraits of famous figures made out of meat and viscera. Ostrer’s work is an attempt to refuse the glamor of celebrity, and to remind himself that[…..]

Things Happened on the Island: Lam Tung-pang’s Floating World

Lam Tung-pang / Things Happened on the Island / Acrylics, charcoal, pencil, scale model and wooden toys on plywood / H 244 x 700 x W 60cm / Acrylics, charcoal, pencil, scale model and wooden toys on plywood / 2013 image courtesy the artist

In early 2011, when I visited a number of young Hong Kong artists’ in their studios, they spoke of their frustration at the focus of curators on art from mainland China, and of their sense of being a ‘poor relation’. Add to that the tensions simmering just below the surface as cashed–up mainlanders poured into Hong Kong, and it seemed a recipe for resentment. In[…..]

Joel Morrison at Gagosian Hong Kong

Joel Morrison, The Reaganomic Youth (version 2), 2012. Stainless steel, 28 1/2 x 18 x 22 1/2 inches (72.4 x 45.7 x 57.2 cm), Ed. of 3. Photo by Erich Koyama.

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[…..]

An exhibition of an exhibition: Kwan Sheung Chi

Today we continue our week-long series Force of Failure with Magdalen Chau’s article on artistic struggle through the lens of Kwan Sheung Chi’s work. FORCE OF FAILURE: DailyServing’s latest week-long series In 2002, Kwan Sheung Chi presented A Retrospective of Kwan Sheung Chi, an exhibition of an exhibition, where strategies of organization and self-promotion were translated into works of art. From the cash coupons towards[…..]