Posts Tagged ‘Installation’

Interview with Erica Prince

Some Sense of Comfort With Some Sense of Confusio​​n​, 2014​, (performance still). Courtesy of AUX Performance Space, Philadelphia​.​

Canadian artist Erica Prince would not appreciate the Mattel playhouse I had as a kid, filled with floral furniture, plastic appliances, and female dolls to ensure that the household was running smoothly. Prince’s version, recently on view in Philadelphia, is my playhouse’s conceptual opposite—and that’s a wonderful thing. Prince is more inspired by science fiction than by domesticity. Her sculptures, installations, and drawings have a[…..]

Doug Hall: The Terrible Uncertainty of the Thing Described at SFAI

Doug Hall. The Terrible Uncertainty of the Thing Described, 1987; video still, San Francisco Art Institute, Walter and McBean Galleries. Collection of SFMOMA, purchased through a gift of the Modern Art Council and the San Francisco Art Dealers Association. © Doug Hall. Photo: Gregory Goode.

Today from our partners at Art Practical, we bring you a review of Doug Hall’s The Terrible Uncertainty of the Thing Described, currently on view at the Walter and McBean Galleries of the San Francisco Art Institute. Author Maria Porges notes: “Perhaps the most fascinating thing about Hall’s seminal work is its quality of timelessness.” This article was originally published on May 21, 2015. In 1989, the San Francisco[…..]

Ron Tran: The Kitchen Garden at Home/Store at 221A

Ron Tran. The Kitchen Garden at Home/Store, 2015; installation view, 221A, Vancouver. Courtesy of the artist and 221A. Photo: Dennis Ha.

The Kitchen Garden at Home/Store is the inventory of a shopkeeper gone mad, driven to insanity by the senselessness of consumption.

Heidi Schwegler: Botched Execution at the Art Gym

Heidi Schwegler. Separation Anxiety_04, 2014; concrete; 16 x 16 x 6 in. Courtesy of the Artist and the Art Gym at Marylhurst University.  Photo: Stephen Funk

While walking through her retrospective Botched Execution, Portland-based artist Heidi Schwegler recounted a story about a lost baby boy. He disappeared during the night—last seen falling asleep in bed between his grandparents. In the morning, he was gone. The police arrived to search the home and surrounding area, and they turned up no trace. Hours later, in the bedroom, an officer heard a small cough—a[…..]

Janet Cardiff and George Miller: Infinity Machine at the Menil Collection

Janet Cardiff and George Miller. The Infinity Machine, 2015 (detail). Mixed-media installation in the byzantine Chapel of the Menil Collection, Houston.

From our friends at Glasstire, today we bring you an excerpt from Terry Mahaffey’s review of the inaugural installation at the Byzantine Chapel in Houston. Mahaffey explores his memories of the site—it originally housed a series of frescoes, now gone—and wonders if Janet Cardiff and George Miller’s installation would be better presented in a more neutral space. This article was originally published on April 20, 2015. Dominique de Menil’s[…..]

Fan Mail: Nicola Dale

Nicola Dale. Model for Ideology VI, 2015; durational performance. Courtesy of Mark Devereux Projects.

Webster’s definition of ideology is: “A system of ideas and ideals, especially one that forms the basis of economic or political theory and policy.” Artist Nicola Dale’s sculptures, performances, and installations are interpretations of this definition of ideology—one of many subjects that Dale explores in her work. Dale often works on one subject or idea for an extended period, in distinctive bodies that incorporate various[…..]

Beta Space: Diana Thater at San Jose Museum of Art

Diana Thater. Science, Fiction, 2015; two video projectors, media player, and lights; dimensions variable. Courtesy of the Artist; San Jose Museum of Art, San Jose; and David Zwirner, London/New York.

From our partners at Art Practical, today we bring you a review of Diana Thater’s current solo exhibition at the San Jose Museum of Art. Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: “I am unconvinced that Thater’s minor changes constitute new works or the experimentation that the series seeks to support.” This article was originally published on April 28,[…..]