Posts Tagged ‘Installation’

David Altmejd: Juices at Andrea Rosen Gallery

David Altmejd. The Flux and the Puddle, 2014; Plexiglas, quartz, polystyrene, expandable foam, epoxy clay, epoxy gel, resin, synthetic hair, clothing, leather shoes, thread, mirror, plaster, acrylic paint, latex paint, metal wire, glass eyes, sequin, ceramic, synthetic flowers, synthetic branches, glue, gold, feathers, steel, coconuts, aqua resin, burlap, lighting system including fluorescent lights, Sharpie ink, wood; 129 x 252 x 281 inches. Courtesy of the artist and Andrea Rosen Gallery.

In the main space of Andrea Rosen Gallery, David Altmejd’s gridded plastic network The Flux and the Puddle forms a labyrinthine rectangle—a wrinkle in time. In an homage to science and metaphysics, behind a network of clear vitrines, a series of human-animal hybrids construct themselves out of resin, epoxy, and clay, morphing in and out of candied fruits as harbingers of a kind of alternate evolutionary[.....]

Fan Mail: Rachel Brumer

Rachel Brumer. Memory’s Main Gate XI, 2008; van dyke on hand dyed pima cotton, acrylic, wax; 22.5” x 29” inches. Image courtesy of Mark Frey.

Transitioning from one distinct medium to another is often a challenge—one that many artists attempt. However, not all accomplish it with the seeming ease of Rachel Brumer. Working in varying combinations of textile, installation, sculpture, photography, and collage, Brumer diligently investigates a number of subjects. Foremost in her work is an almost pathological focus on remembering and honoring people, places, and moments through what she[.....]

Fan Mail: Rachel Debuque

Rachel Debuque. Cacti-Smash (Performance and Installation), 2013; paint, wood moon cacti, gloves, plastic goggles, test tubes, knife, glass bowl, watch glasses plaster cast moon cacti, plaster cast cat sticks, cast plastic cat stick, aluminum, plastic roofing, extension cords, power strip, fake plants; 8’ x 10’ x 8’ feet. Courtesy of the artist.

Rachel Debuque works with myriad subjects and forms. In her work, installation, performance, video, and sculpture collide with themes of domesticity, the still life, and the eccentricities of both individual personalities and physical spaces. Through all of this, her oeuvre coheres around a central concern: the visual re-codification and conveyance of memory through spatial sensitivity. Debuque’s Cacti-Smash (2013) is an installation-based performance that features two[.....]

Fan Mail: Sarah O’Donnell

Sarah O’Donnell. A Visible Night, 2013; Interior image of site specific installation at abandoned Moran energy plant, Burlington, VT, colored silks, rotating LED light, light board; dimensions variable. Courtesy of the artist.

In Sarah O’Donnell’s work, cinema, the diorama, and immersive installation come together to give shape to her fascination with and investigation of human memory. O’Donnell is specifically interested in the places and characters through which memories are made. She often re-creates memories through her own ever-evolving methods of mise-en-scène and editing. In this way, her works all seem to reside somewhere between explaining and further[.....]

Installation Art Reverses Production and Consumption Process

Ni Haifeng. Para-production, 2008-2012; textile shreds, sewing machines; work in progress, variable size

As part of our ongoing partnership with Beautiful/Decay, today we bring you the installation work of artist Ni Haifeng. For the better part of the last decade, Ni has been working with concepts of manufacturing and production, illustrating, in the words of curator and scholar Pauline J. Yao, “the symbolic systems that govern the movement of certain goods across international borders.” This article was written[.....]

Chun Kwang Young: Assemblage

Chun Kwang Young. Aggregation 07 DE146, 2007 (detail); mixed media with Korean mulberry paper; 250 x 205 cm. Image courtesy of Michael Culme-Seymour and Art Plural gallery.

Chun Kwang Young’s Assemblage at Art Plural Gallery is a series of three-dimensional sculptural works wrapped with Korean mulberry paper and assembled within the two-dimensional frame of a canvas. Taking the ubiquitous use of the mulberry paper in Korea—also known as hanji—as a material point of reference, the Assemblage series explores a desolate landscape of depressions, protrusions and coloured spots, all of which seem to reference abstract painting’s visual language of prioritising[.....]

Pay Attention: Claudia Joskowicz at LMAKprojects

Intersections, Claudia Joskowicz’s two-channel video installation and accompanying photographic series at LMAKprojects, is a straightforward display of her newest video piece, Every Building on Avenida Alfonso Ugarte – After Ruscha. The insular gallery space of LMAKprojects has been transformed into a kind of dark pathway. The spectator enters and is sandwiched between two opposing, life-size projections of two sides of the same street: Avenida Alfonso[.....]