Posts Tagged ‘Installation’

New Waves, Korea

A dominant feature of contemporary Asian art has always been the reflection of cultural and historical frameworks within which such works are produced: firmly entrenched in tradition, yet forward-looking thanks to the far-reaching changes – and homogenisation – brought about by the formidable impact of globalisation. Even though artistic production in South Korea seems to follow this trend, it is problematised by the emergence of[.....]

Talking in Circles: An Interview with Aki Sasamoto

Amongst the many trends floating around the contemporary art world, you may have noticed a resurgence in performance art in galleries and museums.  The old guard of artists from the 60’s and 70’s are being recognized in grand retrospectives, such as Marina Abramovic’s critically acclaimed The Artist is Present at MoMA in 2010, as well as the Guggenheim’s current show, Gutai: Splendid Playground, a retrospective of[.....]

A Moment with “The Man”: Thoughts on Ragnar Kjartansson’s Recent Work

Through his refreshing lack of self-seriousness or sanctimony, Ragnar Kjartansson has cut a jagged, joyful figure on the contemporary art scene. Indeed, with solo exhibitions in Boston and New York, the artist has recently been favored with the art world’s fickle attentions and is having something of a well-deserved moment. Ragnar Kjartansson, “The End–Venice,” 2009. Performance view. Venice, June 2009. Courtesy of the artist, Luhring[.....]

Thukral & Tagra: Windows of Opportunity

Windows of Opportunity (2013), Jiten Thukral’s and Sumir Tagra’s (branded as Thukral & Tagra) latest show at Art Plural gallery, gives expression to the cacophonous spectacle of hybridity that defines contemporary India, a site that they deem to be a hotbed of conflicted histories and global transactions. These issues of societal flux are explored in their oeuvre through an eclectic visual language composed of cartoonish[.....]

Agostino Bonalumi: The Glass of Shadows

When Lucio Fontana published his Spazialismo series in the 1940s, a fundamental reiteration of this theory was that matter should be transformed into energy to invade space in a dynamic form. In essence, only the conceptually abstract offered the freedom within linear space to explore ideas about movement and time in art. Fontana’s slash series went on to demonstrate this idea, where linear slashes and[.....]

Lutz Bacher at Ratio 3

LBacher-Installation-Ratio3_2012-11

  With Lutz Bacher‘s exhibition, San Francisco’s Ratio 3 creates a stark contrast to the surrounding neighborhood. Once the gallery’s heavy black doors close behind you, the vivid colors of Mission Street are abruptly shut off. The jagged, cavernous space is given over to stark black and white, or, to be more precise, irregular spatters of black on a white or light grey surface. The first thing one notices are small[.....]

An Interview with Susan Graham

Susan-Graham, 22-Deputy Single Action Revolver, 2002

On a Tuesday morning in September, I met with sculptor and photographer Susan Graham at Lux Art Institute in Encinitas, California. Graham was more than halfway through her five-week artist residency and opened her studio to me, allowing an up-close view of her sugar and porcelain sculptures in the process of assembly. Graham shared stories from her childhood in Ohio, articulated her thoughts about working,[.....]