Having just returned from a whirlwind two-week trip in which I covered seven cities within six countries within two continents and two time zones, I am the last person you want to ask what time it is. Or even what day. What’s so exciting about these sort of adventures is precisely that lack of attention to time—save for making sure to catch a train or[.....]

Today we continue our week-long series, Summer of Utopia, through the work of artists Rosa Casado and Mike Brookes. Spanish performance artist, Rosa Casado and British visual artist, Mike Brookes initiated a long-term collaboration in 2000 focusing on performative engagements in social spaces,  informed by seminal works addressing utopian ideals of social equality,  self-organization and ecological sustainability. In Paradise 2 – the incessant sound of[.....]

The work of Slovakian artist Roman Ondák has been referred to as “intervention,” a label which makes reference to the way a piece confronts the viewer with an unexpected experience. Ondák, who is currently participating in the Berlin Biennale through August 8, 2010, creates work that is at once mischievous, hilarious and stone serious. He deals with social issues of both the grand and trivial[.....]

Recalling the stateliness and beauty of warriors, the delicate chainmail in Mella Jaarsma‘s latest work, Dirty Hands, is only interrupted through the visitor’s intervention in the form of light projections of 17th century Dutch prints picturing early colonial confrontations in Indonesia. While on one hand, the interactivity provides a recreation of these historical tensions, the intervention subtly implicates the viewer in their role as teller[.....]

Is it true belief’s unyielding determination that redeems and protects? This question lies at the heart of Brent Green‘s solo exhibition Gravity Was Everywhere Back Then at Andrew Edlin Gallery. The issue of belief occupies both Green and the man whose work provided the inspiration for the project. The story goes like this: a man named Leonard Wood once built a house entirely by hand[.....]

The Serpentine Gallery in London presents Nairy Bagrhamian and Phyllida Barlow.  The exhibition features new and recent work by two contemporary artists exhibited together for the first time.  The Serpentine Gallery suggests Baghramian and Barlow represent ‘two positions on sculpture in the 21st century’.  The pairing of the two artists offers new insight into their respective sculptural practices. Baghramian and Barlow’s work is displayed separately,[.....]

The Third Line in Dubai presents Islands – Abbas Akhavan’s first solo exhibition in the region.  According to The Third Line, Akhavan’s site specific installation visualizes the connections between the art world/art market and the world’s economy.  Akhavan positions this global economic theme within Dubai – mapping the city directly onto the gallery walls. In Islands, Akhavan paints a series of aerial maps that do[.....]