Posts Tagged ‘institutions’

#Hashtags: The Social and the Political

#engagement #social practice #institutions #academia #authenticity #representation Berkeley has lately been abuzz with social practice of a politically conscious nature that befits the People’s Republic. The Berkeley Art Museum is presenting David Wilson’s The Possible, an exhibition as creative platform that includes numerous artist collaborators and participatory activities for the public. Concurrent with that exhibition, UC Berkeley’s Center for South Asia Studies presented the conference “Collecting[.....]

#Hashtags: Whose Museum Is It Anyway?

Installation view of Mike Kelley at MoMA PS1, 2013. Photo: Matthew Septimus.

#access #institutions #race #class #performance #intersectionality Two major New York exhibitions this winter have raised the question of access to contemporary art and museums in important and divergent ways. Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU’s Grey Art Gallery. Mike Kelley’s sprawling retrospective[.....]

#Hashtags: The Ethnicity Exhibition

Lorraine O’Grady. Untitled (Mlle. Bourgeoise Noire and her Master of Ceremonies enter the New Museum),
1980–83, printed 2009. Gelatin silver print. 7 1/4 x 9 1/4 in. Courtesy the artist and Alexander Gray Associates, New York.

#race #ethnicity #gender #institutions #access #identity Since the Civil Rights Era, it has become commonplace for marginalized ethnic communities to instate their own institutions of sociological and cultural study such as university Ethic Studies departments and museums like Brooklyn’s Museum of Contemporary African Diaspora Arts. In the face of extreme prejudice and exclusion from the discourses of history and art, many have felt the necessity[.....]

#Hashtags: The Art of Conquest

Key Lime

#institutions #race #jeffreydeitch #elibroad #lacma #moca #manifestdestiny #americanexpansionism Los Angeles museums have recently demonstrated the old adage that “nothing endures but change.” Since 2006, Michael Govan has been in charge of transforming the Los Angeles County Museum of Art from a Victorian-style encyclopedic museum into a powerhouse for contemporary art. During his tenure, Govan has recruited top American curators, including Franklin Sirmans and Christine Y. Kim, from privately endowed museums to his massive[.....]

#Hashtags: Proximity and Migration

Yamini Nayar. Head Over Heals, 2013. Lightjet print. Courtesy the artist, Thomas Erben Gallery, New York and Jhaveri Contemporary, Mumbai.

#institutions #representation #access #sustainability #visibility #regionalism #globalism Two shows at San Francisco museums this past July proposed to reconcile gaps between local and global concerns. For Proximities I: What Time Is It There? at the Asian Art Museum, guest curator Glen Helfand asked a group of Bay Area artists to consider the concept of Asia from the perspective of the culturally uninitiated. Migrating Identities, at Yerba[.....]

#Hashtags: Photographing the Invisible: LaToya Ruby Frazier at Brooklyn Museum

Huxtables, Mom, and Me

#visibility #labor #institutions #class #race #access Photographer LaToya Ruby Frazier makes her New York solo debut with A Haunted Capital, a tightly crafted, personal-is-political installation at the Brooklyn Museum. The artist’s hometown of Braddock, a forgotten steel mill town in Allegheny County, Pennsylvania, is marked by a geography of postindustrial degradation. An outsider might take a social documentary approach to Braddock’s history and current woes. As an insider, Frazier documents that[.....]

#Hashtags: Punk Is Dead, Long Live Punk

27. Gallery View_430 Kings Road Period Room

#punk #institutions #historicity #commerce #style Is the Metropolitan Museum of Art’s Punk: Chaos to Couture the death knell of punk as a social and cultural movement? Certainly, the Met’s assertion that the locus of punk’s importance is in its influence on high fashion would indicate that it is no longer relevant to these larger concerns. The A-list attendees at May’s opening gala were decidedly mainstream[.....]