Posts Tagged ‘John Akomfrah’

#Hashtags: The Political Biennale

Padiglione Centrale 
Giardini, Venezia 
2015. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photo: Alessandra Chemollo. Courtesy: la Biennale di Venezia.

#nationalism #institutions #power #access #globalization #protest #labor #capital The 56th Venice Biennale, “All the World’s Futures,” has been hailed as the “political” Biennale both by its curator Okwui Enwezor and by the international art press. That designation has come in for significant criticism from some who feel that contemporary art either can not or should not address political concerns, given the commodity status of art objects[…..]

The Black Radical Imagination II at REDCAT

Jeannette Ehlers. Still from Black Bullets, 2012; 4:33 min.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noé Gaytán reviews The Black Radical Imagination II at REDCAT in Los Angeles. The notion of the black radical imagination stems from the writing of Robin D.G. Kelley,[…..]

GLYPHS: Acts of Inscription at Pitzer College Galleries

Mickalene Thomas. Le dejeuner sur l’herbe: trois femmes noires, 2010; C-print; artist proof 2/2; 48 x 60 inches. Courtesy of the Artist, Susanne Vielmetter Los Angeles Projects, Lehmann Maupin, NY and Artists Rights Society (ARS), NY.

Three powerful women dressed in patterned sundresses, jewelry, and club-ready makeup are seated on a jumble of printed fabrics, fake flowers, and gold spray-painted fruit. Their pose is a familiar one, mimicking Edouard Manet’s scandalous—at the time—Le Dejeuner sur l’Herbe (1862-3), except in this one all posers are clothed, female, black, and staring at me as though they were sussing me up—trying to discern my[…..]