Posts Tagged ‘Kehinde Wiley’

Summer Session – Bad at Sports: Interview with Kehinde Wiley

Kehinde Wiley, Leviathan Zodiac (The World Stage: Israel), 2011; oil and gold enamel on canvas, 115 x 79.75 in. (framed). Collection of Blake Byrne. Courtesy of Roberts & Tilton, Culver City, CA.

This Summer Session we’re thinking about celebrity, and today we bring you an interview from the podcast Bad at Sports with artist Kehinde Wiley, courtesy of our sister publication Art Practical. Wiley, a highly celebrated artist himself, is best known for his large Orientalist paintings of men of color, utilizing the immaterial visual vernacular of authority and the materiality and scale of wealth to reframe his anonymous, systemically disenfranchised subjects[…..]

Kehinde Wiley: A New Republic at Seattle Art Museum

Kehinde Wiley. Mrs. Waldorf Astor, 2012; oil on linen; 72 x 60 inches. © Kehinde Wiley.

A New Republic at Seattle Art Museum is Kehinde Wiley’s second solo exhibition organized by the Brooklyn Museum. In his brief fifteen-year career, Wiley has quickly become an established cultural trope. His works have adorned the set of Empire and served as icons of the FIFA World Cup. His portraits of Black men and women are at once celebrated as a vision of Black empowerment[…..]

For A Long Time at Roberts & Tilton

In The Body in Pain: The Making and Unmaking of the World, scholar Elaine Scarry describes the inability of language to interpret and express physical pain: “By its very nature, pain resists, even destroys the language that grapples with it.” But what of the capacity of visual art to interpret and translate this bodily experience? “For a Long Time”, on view now at Roberts &[…..]

Kehinde Wiley

Kehinde Wiley is back in his hometown of Los Angeles, and the city is welcoming him with open arms. As an artist whose name evokes recognition, and even conversation, beyond the periphery of the contemporary art world, the Brooklyn based artist draws a crowd of eager devotees (the author not excluded) to any venue at which his work is being exhibited or discussed. With a[…..]