Posts Tagged ‘L.A. Expanded Column’

What’s Going on at MOCA?

Installation view of Mike Kelley's "Silver Ball" at MOCA

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Paul Schimmel, who has been at the helm of the L.A. Museum of Contemporary Art’s curatorial department for twenty years, was let go on Wednesday. The board voted on the decision, and the story is that billionaire philanthropist and MOCA board member Eli Broad asked Schimmel to his office to tell him[…..]

Slacker Art

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Did you ever read Jack Bankowsky’s 1991 Artforum essay on slacker art? It’s a pretty good one, called “Slackers” after Richard Linklater’s very slack, brilliantly drawn-out film, also called Slackers and out in ’91. Linklater’s film begins with a monologue by a young guy (played by Linklater) with a bowl cut. He[…..]

California Biennials: So What Are We Going to Do?

Made in L.A., the first-ever Los Angeles biennial, debuted this week at The Hammer Museum, Municipal Gallery and LAXArt. It seemed a good time to revisit the last California Biennial, held at the Orange County Museum of Art and heavy with SoCal artist.  How many biennials does one state need and does this new one really fill a niche that needs filling? Those are questions[…..]

Easing the Burden of Truth

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley My sister, who is on a Fulbright in Thailand and living in a small village in the Uttaradit Province, realized a week ago that she needed a haircut. This was nerve-wracking. There were cultural differences and language barriers involved, and nothing makes you crabbier than a haircut that isn’t right. She asked[…..]

Don’t Crack a Smile

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley We had just left Marc Foxx gallery, where Annette Kelm’s delicate C-prints look like illustrations from the most deadpan Children’s book ever, as if everything but tufts of grass had been excised from, say, Make Way For Ducklings. We were still in the little enclave of galleries off Wilshire Boulevard when a[…..]

And the Money Came Rolling in . . . Or Not.

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Because NEA funding cuts recently prompted Art21.org to stage a telethon, because this is fundraising season (a number of non-profits, included Los Angeles Contemporary Exhibitions, had their annual auctions, galas or other fundraisers this month), and because I’m preoccupied with MOCA’s recent Transmission L.A. festival — which I mentioned in last week’s[…..]

What’s Polished and What’s Not

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Writer David Shields tells a story about being a kid and liking Hunter S. Thompson’s obnoxious gonzo journalism way better than Steinbeck and other more classic fiction writers. With Thompson, you were never sure how fictional a story was going to get and it was always possible the craziest stuff was real.[…..]