Posts Tagged ‘LACMA’

Islamic Art Now at the Los Angeles County Museum of Art

Abdullah Al Saab. Technology Killed Reality, 2014;  Courtesy of the Artist, Tamara Keleshian, and  Museum Associates/LACMA

Today from our friends at REORIENT, we bring you an excerpt from Nicola Baird’s review of Islamic Art Now at the Los Angeles County Museum of Art. Baird notes that “the dialogue surrounding the validity of the term ‘Islamic’ as a meaningful art-historical classification continues to attract attention. Indeed, what is Islamic art, and is such a term appropriate?” This article was originally published on February[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and the Cloud (2010) in which a woman produces a black rabbit from an unmarked box. No magician, she handles the unexpected animal with a mixture of bewilderment and acute apprehension. Later in the film, she confronts the event during hypnotherapy; then, in a key conversion, she watches her own analysis session performed[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. This is not a Time for Dreaming, 2004 (film still); transferred from 16mm film, 24:00; Courtesy of the Artist and Marian Goodman Gallery, Paris/New York. Photo by Michael Vahrenwald.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Scott Norton reviews Pierre Huyghe’s solo exhibition at the Los Angeles County Museum of Art. Entering the retrospective exhibition Pierre Huyghe at the Los Angeles[…..]

Larry Sultan: Here and Home at LACMA

Larry Sultan. Discussion, Kitchen Table, from the series “Pictures from Home,” 1985; chromogenic print; 30 x 40 in. Photo courtesy of the Estate of Larry Sultan.

“Isn’t imagination really the final measure of intelligence?” — Larry Sultan Picture it: golf courses, lawn furniture, sprinklers, empty pools, groceries, plush carpets you can almost feel under your feet, sunglasses, bulky watches, a Dodger’s game droning on TV, frosted glass, floor-to-ceiling curtains, a pink terry-cloth tracksuit, patterned linoleum, and green—the pervasive chartreuse of freshly cut grass or new growth is evident in almost every single[…..]

John Altoon at the Los Angeles County Museum of Art

John Alton, "Untitled (F-46)," 1966, Ink and airbrushing on illustration board, 30x40inches, National Gallery of Art, Washington, anonymous gift, 1997 | © 2014 Estate of John Altoon

Today from our friends at Artillery Magazine, we bring you John David O’Brien’s review of John Altoon’s retrospective at the Los Angeles County Museum of Art. O’Brien notes, “…Altoon’s art lives up to any expectations a viewer might have for it.” This article was originally published on September 2, 2014. John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms, whether social,[…..]

Ryan Trecartin at LACMA

Considered a prophet of the digital age, video artist Ryan Trecartin transforms contemporary culture’s addiction to the internet and obsession with technological devices into a violently exuberant visual orgy. Watching his work feels like riding a roller coaster into the vertiginous depths of the Web or looking through a kaleidoscope on acid; it is an experience of hysterical nonlinearity, relentless mutation, and extreme visual and verbal cacophony. On March 25,[…..]

Newsha Tavakolian at the Los Angeles County Museum of Art

From our friends at Artillery magazine, today we bring you a review of Newsha Tavakolian‘s work at the Los Angeles County Museum of Art. Author Ellie Shoja notes: “…Tavakolian’s women seem to use their societal limitations to trigger an internal process of private empowerment…” This article was originally published on November 20, 2013. Since she began her career as a photojournalist at the age of 16, Newsha[…..]