Posts Tagged ‘Lia Wilson’

From the Archives – Coco Fusco: Observations of Predation in Humans at the Studio Museum in Harlem

Coco Fusco. Observations of Predation in Humans, 2013. Performance at the Studio Museum of Harlem.

Today, from the archives, we bring you Lia Wilson‘s review of Coco Fusco’s Observations of Predation in Humans, originally performed at the Studio Museum of Harlem in December 2013 for Radical Presence, a survey of performance work by black visual artists. This month, Fusco will be resuming her role as the legendary female chimpanzee psychologist Dr. Zira at Participant Inc., as part of the Performing[…..]

Best of 2014 – Suzanne Opton: Soldier at Sikkema Jenkins

Suzanne Opton. Soldier: H. Jefferson- Length of service undisclosed, 2005. Archival Pigment Print.  41 x 52 inches. Courtesy of Sikkema Jenkins

Continuing our Best of 2014 series, Shotgun Review Editor Erica Gomez writes, “I read Lia Wilson’s review of Soldier six months ago, on my birthday. Having recently spent time with my dad—a U.S. Army Afghanistan Veteran—I recognized the thousand-yard stare in one of Suzanne Opton’s photographs all too well. Wilson points to the series’ ‘potential for a reflective encounter between viewer and subject’ and calls[…..]

Best of 2014 – Self-Taught Genius at the American Folk Art Museum

Purvis Young. People Celebrating, 1990s. Mixed Media on wood; 49 x 34 1⁄2 x 5”. Collection American Folk Art Museum, New York. Gift of Gordon W. Bailey in honor of Anne Imelda Radice. Photo by Adam Reich, New York.

As we continue our look back over the year, today’s Best of 2014 selection comes from Kara Q. Smith, the managing editor of our partner site Art Practical. Kara writes, “Lia Wilson’s review of Self Taught Genius gives attention to an oft-overlooked, or mis-represented, area of contemporary art (not to mention venue). Lia engages directly with the larger contexts surrounding not only the art, but the exhibition[…..]

Best of 2014 – #Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

Here at Daily Serving we count down the days to the New Year by presenting you with our best writing from the outgoing year. Our first selection, from our 2014 #Hashtags column, comes from Lia Wilson: “Anuradha Vikram’s investigation of Kara Walker’s The Marvelous Sugar Baby is an incredibly deft navigation of the entanglement of race, gender, class, labor, capitol, and representation operating within the work[…..]

Coco Fusco: Observations of Predation in Humans at the Studio Museum in Harlem

Coco Fusco.

Critical distance can be an ambitious aspiration for an artist, particularly if her practice strives to directly engage complex economic, environmental, or social-justice issues. How can traditionally partisan discourses be avoided? Can a political viewpoint be communicated without merely contributing to a staunchly divisive cultural dialogue that is easy to tune out? There is no one strategy or formula for this challenge. Coco Fusco’s recent[…..]