Posts Tagged ‘London’

From the Archives – Sarah Lucas: SITUATION Absolute Beach Man Rubble at Whitechapel Gallery

Sarah Lucas. Installation view, 2013 Courtesy Whitechapel Gallery, London, Photo: Stephen White

Here at Daily Serving, we’re excited that Sarah Lucas will represent the UK at the 2015 Venice Biennale. Gregor Muir, a member of the selection panel, was quoted in a recent article, saying, “Having consistently pushed the limits of her practice, there’s a sense that Lucas—seemingly more active than ever—is coming into her own.” We couldn’t agree more, and so today from our archives we’re sharing[…..]

Walead Beshty: A Partial Disassembling of an Invention Without a Future at Barbican Center

2.	Walead Beshty. Installation Shot of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench. 2013-2014. Wall Installation Made of Cyanotypes. Photo: Getty Images/Chris Jackson.

In 1979 at the Whitney Museum of American Art, American avant-garde filmmaker Hollis Frampton gave a lecture devoted to the origins of film and the utility of defunct technologies. Toward the end, Frampton paused to vaguely describe a work of art composed of the accumulating detritus, by-products, and disparate actions piling up in his studio, which he called A Partial Disassembling of an Invention Without[…..]

Art & Language: Nobody Spoke at Lisson Gallery

Art & Language. Installation shot of Drawings From the Winter. 2012-2013. Ink on paper. 41.2 x 29.7 cm each.

Retrospectives are tricky things—despite the often incomplete, reductive, and forced nature of the form, it is the curatorial genre put into action the most, and the one that most easily conforms to the logic of the museum and the market through its presentation of the individual artist’s career as linear and progressive. Audiences love them, art historians and critics love to complain about them, and[…..]

Pipilotti Rist: Worry Will Vanish and Stay Stamina Stay at Hauser & Wirth

Pipilotti Rist. Sleeping Pollen, 2014; audio-video installation (video projection, 11 mirror spheres, sound); dimensions variable. Courtesy of the Artist and Hauser & Wirth Somerset.

Worry Will Vanish and Stay Stamina Stay, parallel exhibitions by Pipilotti Rist at Hauser & Wirth in London and Somerset, respectively, feature footage generated during Rist’s recent residency at the gallery’s newest location in Somerset between summer 2012 and summer 2013. For material, Rist milks images from the plant life surrounding Durslade Farm, the historic Somerset compound that Hauser & Wirth has converted into gallery[…..]

Disobedient Objects at the Victoria & Albert Museum

Herman Wallace. Fuck the LAW. 2008. Chrome-plated steel pendant. Dimensions Unknown. Private Collection. Photo: Jordan Amirkhani.

Sitting just inside the Great Hall and squeezed between two major retrospective exhibitions of wedding dresses and fashion photographs at the Victoria & Albert in London sits Disobedient Objects, a small but powerful show examining the materials, methods, and inventions of political dissent across the world since the late 1970s. Rich and diverse in its choice of objects, the one-room gallery places a strong emphasis[…..]

Glenn Ligon: Call and Response at Camden Art Centre

Glenn Ligon. Live (detail), 2014; video installation; size variable. Courtesy of the Artist and Camden Art Centre, London. Photo: Valerie Bennett

The designation Call and Response describes the antiphony effect, a device in speech in which a speaker elicits cadenced responses from the audience at systematic intervals. It’s a method that actively engages an audience, and although this universal device is as old as human speech in every corner of the world, in the American psyche it is particularly tied to black churches and the gospel[…..]

(detail) at Transition Gallery

(detail), 2014; installation view, Transiton Gallery, London. Courtesy of Andrew Bracey and Transiton Gallery. Photo: Andrew Bracey

The premise seems simple: A painter’s painter curates an exhibition comprising one work each from 118 painters. The breadth of the offering covers the full gamut of the medium and, as a result, creates a beautiful crisis for the genre of painting—and that’s because there isn’t a lick of paint in the most painterly concerned of painting shows. For (detail), artist–curator Andrew Bracey asked each[…..]