Posts Tagged ‘London’

From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko

Krzysztof Wodiczko, War Veteran Vehicle, Liverpool, 2009. Photography courtesy Robert Ochshorn.

Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with artist Krzysztof Wodiczko, who contends, “There is an extremely thick wall that separates those who know what war is and those who don’t.” This interview was originally published on January 2, 2012. Krzysztof[…..]

Michael Riedel: Laws of Form at David Zwirner, London

Michael Riedel. Laws of Form, 2014; installation view, David Zwirner, London. Courtesy the Artists and David Zwirner, New York/London.

“There’s no content being produced, because I’m in the first generation that grew up digital…. We are just transferring all the time: tape, CDs, and now the clouds.”[1] Something radical has been happening for a while in art that has been evading easy classification. The digital fold has facilitated a giant mash-up of layers upon layers of information composed from fragments of fragments. Sound bites, video[…..]

Michael Craig-Martin: Objects of our Time at Alan Cristea Gallery

(from left to right) Michael Craig-Martin. Objects of our Time: Takeaway coffee, 2014; Objects of our Time: Memory stick, 2014; both works, series of 12 screenprints, edition of 50; 50.0 x 50.0 cm. Courtesy the Artist and Alan Cristea Gallery. NPC.

Is a glass of water just a glass of water? Consider it for a fraction of a second and suddenly the glass of water carries a lot of Kosuthian baggage—the mind attaches a label to it, compares it to an ideal, then judges its function, and its value changes. Deconstruct the contextual outcome of that mental layering, and the glass of water not only offers[…..]

BP Walk through British Art at Tate Britain

Installation view; Robert Peake, Lady Anne Pope, 1615; Oil on wood & Paul Van Somer, lady Elizabeth Grey, Countess of Kent, c.1619; Oil on wood. Courtesy of Tate Britain. Photo: A. E. Driggs.

Can you remember the last time you were really excited about seeing your local museum’s pre-modern permanent collection? Familiarity is the antagonist for the seasoned art viewer, and growing weary of a permanent collection becomes inescapable. Perhaps this is excusable in the case of a small collection in a provincial museum—but quite a different thing when the collection bills itself as the nation’s definitive authority[…..]

Martin Creed: What’s the Point of It? at the Hayward Gallery

In a world full of arbitrary choices, Martin Creed is an artist who uses systems to make decisions and create order. Unlike most of the YBAs, who are mainly traditionalists using unconventional materials, Creed is a true conceptualist, and his work embodies the 2.0 of contemporary British art. In the lineage of Sol LeWitt—but also radically departing from his precedent—Creed examines ideas and material, identifying[…..]

From the Archives – Blinded by the Hype: A Spotty Affair

Damien Hirst, Levorphanol, 1995, household gloss on canvas. © Damien Hirst and Science Ltd. All rights reserved, DACS 2012, Courtesy Gagosian Gallery. Photographed by Prudence Cuming Associates.

Do you ever wonder where you were exactly a year or two ago? What you were doing, or who you were talking to—or about? Today we take a little trip down memory lane to this very date two years ago, to reassess Damien Hirst’s oeuvre and the art-market chatter around exhibiting his spot paintings at all eleven Gagosian galleries around the world. Now that the art[…..]

From the Archives – Jacob Hashimoto: The Other Sun

Today from our archives we bring you Margaret Zuckerman‘s review of Jacob Hashimoto‘s 2012 exhibition at Ronchini Gallery in London. Hashimoto has a new exhibition opening in February at Martha Otero Gallery in Los Angeles, hopefully as “buoyant, ethereal, and celebratory” as the work reviewed here. This article was originally published on July 19, 2012. American-born Jacob Hashimoto’s eye-catching exhibition, The Other Sun, at London’s Ronchini Gallery in[…..]