Posts Tagged ‘Los Angeles’

Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box

Howard Fried. The Decomposition of My Mother's Wardrobe, 2014-2015. Courtesy of the Artist and The Box Gallery. Photo: Fredrik Nilsen Studio.

Carefully orchestrated yet unpredictable, the project has no predetermined solution, only possible actions.

Interview with Asha Schechter

Schechter-Tabari

From our friends at Kadist Art Foundation in San Francisco, today we bring you a conversation between artist Asha Schechter and Kadist’s director of collections, Devon Bella. This unique interview also features an animation by Yashar Tabari underscoring Schechter’s discussion of “the simultaneity of images… You can’t really see one image without seeing another.”

Saying Yes to Everything at Honor Fraser

Ray Yoshida. Comic Book Specimen #1 — Right Profile, c. 1965; Collage on paper, 22 x 28 in. Courtesy of the estate of Ray Yoshida. Photo Tom Van Eynde. Collection of KAWS, New York.

Saying Yes to Everything, an exhibition featuring nineteen artists working in collage, recently opened at Honor Fraser Gallery in Los Angeles. On display are a range of works made between 1960 and the present day by both established and emerging artists. The title is a commentary on the essential inclusivity of collage. But understanding the medium’s place in art history can help the viewer appreciate[…..]

The Black Radical Imagination II at REDCAT

Jeannette Ehlers. Still from Black Bullets, 2012; 4:33 min.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noé Gaytán reviews The Black Radical Imagination II at REDCAT in Los Angeles. The notion of the black radical imagination stems from the writing of Robin D.G. Kelley,[…..]

Hammer Projects: N. Dash at The Hammer Museum

N. Dash. Untitled, 2014; adobe, oil, pigment, string, acrylic, linen, jute, and wood support. Courtesy of the Artist. Photo: The Hammer Museum.

N. Dash’s solo exhibit at the Hammer Museum begins with a series of Duratrans transparencies displaying magnified wreaths of frayed fabric in architectural light boxes. Her work, which faces the open and airy courtyard of the Los Angeles museum, was presented in conjunction with the Mandala of Compassion for two weeks, a live exhibit in which Tibetan Buddhist monks constructed a sacred mandala using colored sands[…..]

Stan VanDerBeek: Poemfield at the Box

Stan VanDerBeek: Poemfield at The Box, Los Angeles (installation view). Courtesy of the Estate of Stan VanDerBeek and The Box, LA. Photo: Fredrik Nilsen.

From the malevolent mainframe of 2001’s “Hal” to the proliferation of remote-controlled, drone-delivered destruction, dystopian visions of technology exist in abundance. Even contemporary artists who work with technology, like Cory Arcangel and Wade Guyton, tend to focus on its glitches and limitations. By contrast, the Box’s dazzling exhibition of computer-animated films by Stan VanDerBeek offers a hopeful perspective on the promise of technology, one that[…..]

Doug Aitken: Still Life at Regen Projects

Doug Aitken. END/RUN (timeline), 2014; Clear mirror, resin, concrete powder
coated steel; 72 x 132 3/4 x 36 in. © Doug Aitken. Courtesy Regen Projects, Los Angeles.

Doug Aitken is a quintessential Los Angeles artist. Working across multiple platforms—“photography, sculpture, publications, sound, and single- and multi-channel video installations”[1]—he employs the high production values and superficial slickness of Hollywood. His art is all about spectacle, whether it’s Electric Earth (1997), his multi-screen video in which a solitary protagonist dances his way through a pulsing, nocturnal urban landscape, or his recent endeavor Station to[…..]