Posts Tagged ‘Los Angeles’

Jennifer Moon, Jemima Wyman, and Robby Herbst at Commonwealth & Council

Jennifer Moon. 3CE: A Relational Love Odyssey, 2015; HD Video (TRT: 11:15); edition of 3 + 1 AP. Courtesy the artist and Commonwealth & Council, Los Angeles.

As contemporary art seems to be increasingly the province of the 1%, with continual record-breaking auctions, it may be difficult to appreciate the revolutionary origins of modernism. Early 20th-century art movements like Constructivism, Futurism, and Dada sought an aesthetic, social, and political break with the past, often with utopian goals for the future. A trio of solo shows at Commonwealth & Council aim to reinvigorate[…..]

Random International: Rain Room at LACMA

(left) Random International. Rain Room, 2015; installation view, LACMA, Los Angeles, CA. Courtesy of the artist and LACMA. (right) Le Corbusier. Ville Radieuse (Radiant City), 1925. Courtesy of Foundation Le Corbusier.

It’s not too often that whatever MoMA-inspired freak-outs occurring in New York reverberate out to the West Coast. Recently, New Yorkers and Californians alike displayed the kind of commotion around procuring Kraftwerk tickets that a child normally reserves for their first trip to Disneyland. Rain Room and its hype, which had its moment at MoMA, has now also found its way to the West Coast,[…..]

Pope.L: Desert at Steve Turner and Pope.L: Forest at Susanne Vielmetter Los Angeles Projects

Pope.L. Forest, installation view, Susanne Vielmetter Los Angeles Projects, 2015. Courtesy of the artist. © Pope.L

Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]

UH-OH: Frances Stark 1991-2015 at the Hammer Museum

Frances Stark. Bobby Jesus’s Alma Mater b/w Reading the Book of David	and/or Paying Attention Is Free, 2013; multichannel projection with sound, inkjet 	mural, and takeaway offset posters; 7:20 min. Installation view, Carnegie International, 2013. Courtesy of Marc Foxx Gallery, Los Angeles. Photo: Brian Conley.

In a mid-career survey as large as UH-OH: Frances Stark 1991–2015, on view at the Hammer Museum, I’m usually tempted to rush over a couple of galleries and maybe even skip a video here or there. From the get-go, Stark’s exhibition, featuring 125 drawings, collages, paintings, and video installations, had me enthralled with My Best Thing (2011), a 100-minute-long episodic animation based on the artist’s[…..]

Machine Project: Selections from Mr. Akita

Screen Shot 2015-10-21 at 9.20.28 AM

Today from our friends at Machine Project in Los Angeles, we bring you a video of selections from Mr. Akita, a play by Asher Hartman starring artist and comedian Cliff Hengst. Mr. Akita was performed at the Tang Teaching Museum and Art Gallery as part of Machine Project: The Platinum Collection on September 26 and 27, 2015.

Elad Lassry at David Kordansky Gallery

Elad Lassry. Untitled (Carrier, Carrots), 2015; Claro walnut, paint, varnish; 48 x 20 x 16 in. Courtesy of David Kordansky Gallery. Photo: Fredrik Nilsen.

Elad Lassry’s latest exhibition at David Kordansky commingles two groups of seemingly disparate works: highly wrought wooden sculptures, carved from single slabs of dark walnut, and dated commercial photographs, which have been intervened upon with materials such as acrylic paint, colored wires, and beads. The show attempts to bridge the gap between the two bodies of works by engaging the issue of pictorial representation as[…..]

Zoe Beloff: A World Redrawn at the James Gallery, CUNY

Zoe Beloff. Two Marxists in Hollywood, 2015 (film still). Courtesy of the James Gallery, Graduate Center, CUNY.

It is a strange fact that Theodor Adorno, Max Horkheimer, Arnold Schoenberg, Thomas Mann, and Bertolt Brecht all resided in Los Angeles, California, in the 1940s. Unsurprisingly, few of them found their wartime haven a particularly sympathetic milieu. Brecht’s stay was especially ill-fated, ending with his interrogation by the House Un-American Activities Committee (HUAC) and consequent return to Berlin. A decade earlier, the Latvia-born film director[…..]