Posts Tagged ‘Los Angeles’

Islamic Art Now at the Los Angeles County Museum of Art

Abdullah Al Saab. Technology Killed Reality, 2014;  Courtesy of the Artist, Tamara Keleshian, and  Museum Associates/LACMA

Today from our friends at REORIENT, we bring you an excerpt from Nicola Baird’s review of Islamic Art Now at the Los Angeles County Museum of Art. Baird notes that “the dialogue surrounding the validity of the term ‘Islamic’ as a meaningful art-historical classification continues to attract attention. Indeed, what is Islamic art, and is such a term appropriate?” This article was originally published on February[…..]

Sky-Lit: Volume, Light, and Sound at the Broad, Los Angeles

Visitors in The Broad’s third-floor gallery space, before art walls are constructed, February 15, 2015. Photo by Ryan Miller / Capture Imaging. Courtesy The Broad.

On Sunday, February 15, the Broad opened its doors on Grand Avenue in downtown Los Angeles, proving the ease with which hype can be deflated like a big white balloon. The daylong preview offered VIPs—and, in the later afternoon, members of the public—a sneak peek of the still-raw interior of the three-story, 120,000 square-foot, $140 million building. The Broad will house and exhibit its 2,000-work[…..]

William Binnie: Flame as Flag at Paul Loya Gallery

William Binnie. Untitled (Mill), 2014. Bleach on denim. 18 x 24 inches. Courtesy of Paul Loya Gallery.

William Binnie’s exhibition at Paul Loya Gallery in Culver City emerged from a residency granted to the Dallas-based artist by the Rauschenberg Foundation in Captiva, Florida, this past summer. While there, the artist made a series of paintings in bleach on denim drawn from photographs of fires set by political radicals. Binnie’s paintings merge Rauschenberg’s photo-transfer aesthetic with Andy Warhol’s fascination with media spectacle—the grimmer, the better.[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and the Cloud (2010) in which a woman produces a black rabbit from an unmarked box. No magician, she handles the unexpected animal with a mixture of bewilderment and acute apprehension. Later in the film, she confronts the event during hypnotherapy; then, in a key conversion, she watches her own analysis session performed[…..]

Larry Sultan: Here and Home at LACMA

Larry Sultan. Discussion, Kitchen Table, from the series “Pictures from Home,” 1985; chromogenic print; 30 x 40 in. Photo courtesy of the Estate of Larry Sultan.

“Isn’t imagination really the final measure of intelligence?” — Larry Sultan Picture it: golf courses, lawn furniture, sprinklers, empty pools, groceries, plush carpets you can almost feel under your feet, sunglasses, bulky watches, a Dodger’s game droning on TV, frosted glass, floor-to-ceiling curtains, a pink terry-cloth tracksuit, patterned linoleum, and green—the pervasive chartreuse of freshly cut grass or new growth is evident in almost every single[…..]

Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box

Howard Fried. The Decomposition of My Mother's Wardrobe, 2014-2015. Courtesy of the Artist and The Box Gallery. Photo: Fredrik Nilsen Studio.

Carefully orchestrated yet unpredictable, the project has no predetermined solution, only possible actions.

Interview with Asha Schechter

Schechter-Tabari

From our friends at Kadist Art Foundation in San Francisco, today we bring you a conversation between artist Asha Schechter and Kadist’s director of collections, Devon Bella. This unique interview also features an animation by Yashar Tabari underscoring Schechter’s discussion of “the simultaneity of images… You can’t really see one image without seeing another.”