Posts Tagged ‘Los Angeles’

Kamau Patton: The Sky Above

Today from our friends at Machine Project in Los Angeles, we bring you a video excerpt of artist Kamau Patton’s project The Sky Above, part of Pacific Standard Time Presents: Modern Architecture in L.A. While flying above L.A. in a chartered helicopter, Patton performed a responsive sound piece; the visual and sonic experiences were streamed live to Machine Project’s storefront space and the web. The project was originally[.....]

From the Archives – Rogue Wave at L.A. Louver

Matthew Brandt. Rainbow Lake WY 1, 2013, C-print soaked in Rainbow Lake water, 72 x 105 in. Courtesy of L.A. Louver

From San Francisco to Los Angeles, California suffered an unseasonably early heat wave this week. With temperatures in Los Angeles breaking 100 degrees, everyone is dreaming of a day at the beach. Today we bring you Catlin Moore‘s review of L.A. Louver‘s annual summer show; though it was originally published on August 15, 2013, the feeling of the show seems apropos for right now. It’s July[.....]

Eleanor Antin: Passengers at Diane Rosenstein Fine Art

Eleanor Antin, Classical Frieze; 2008; Video; 21.33 minutes. Courtesy of the Artist and Diane Rosenstein Fine Art. Photo: Lenae Day.

Passengers where are you going? from here to there? do you ever get there? i don’t know why not? i’m only a passenger—just like you (from an Egyptian tomb) As you round the corner of the entryway at Diane Rosenstein where this phrase is visible, the first works on view in Eleanor Antin’s Passengers are two massive photographs from her 2004 series Roman Allegories. Going[.....]

Allen Ruppersberg: Drawing and Writing 1972-1989 at Marc Selwyn Fine Art

Allen Ruppersberg. Self-Portrait Making a Face Like Barney Bear, 1975; pencil on paper; 23 x 29 in. Courtesy of the Artist and Marc Selwyn Fine Art.

For the first solo exhibition in his new Beverly Hills space, Marc Selwyn Fine Art has mounted a significant show of drawings by conceptual-art pioneer Allen Ruppersberg. Spanning almost two decades, from 1972 to 1989, these deceptively simple works on paper show Ruppersberg dealing with themes similar to those of his contemporaries—appropriation, language, identity, authenticity—but with a wry, nostalgic sensibility all his own. In these[.....]

International Women’s Day at Night Gallery

Lizzie Fitch. Reach, 2012; Wood, ink on paper, ink on canvas, stain, screws, staples; 71.5 x 48 x 3.25 inches. Courtesy of Night Gallery, Los Angeles. Photo: Lee Thompson.

Night Gallery’s current five-artist exhibition, International Women’s Day, celebrates the holiday by focusing on the legacy of one woman artist in particular, Camille Claudel. Although an accomplished sculptor on her own, she was often overshadowed by her mentor and lover Auguste Rodin, and after suffering a breakdown and destroying much of her work, she spent the last thirty years of her life in an asylum. International[.....]

From the Archives – Kevin Cooley: Skyward at the Boiler

Skyward Installation

The weather has been unusually brutal all across the U.S. this winter, from the unending snow and ice in most of the country to the ongoing drought in Northern California. With even more snow predicted for the Northeast this weekend, we thought we’d take our readers back to revisit Kevin Cooley‘s Skyward project, a bright, sunlit space reminding us of warmer times ahead. This article was[.....]

Pablo Bronstein: Enlightenment Discourse on the Origins of Architecture at REDCAT

Pablo Bronstein. Enlightenment Discourse on the Origins of Architecture, 2014; Performance at REDCAT, Los Angeles. Photo: Scott Groller.

Upon entering CalArts’ REDCAT Gallery (which is in reality a large room off the foyer of the REDCAT theater), I see nine pieces of comically oversized Neoclassic furniture. Two armoires, two chairs, two dressers, a huge central cabinet, an obelisk, and what appears to be an urn face each other on pedestals. Their construction is at a level I would describe as “professional shoddy,” with[.....]