Today from our friends at Artillery Magazine, we bring you John David O’Brien’s review of John Altoon’s retrospective at the Los Angeles County Museum of Art. O’Brien notes, “…Altoon’s art lives up to any expectations a viewer might have for it.” This article was originally published on September 2, 2014. John Altoon couples his relaxed, entirely convincing painterly hand with a flippant disregard for norms, whether social,[…..]
Posts Tagged ‘Los Angeles’
The latest exhibition of work by Los Angeles-based artist Neal Rock, currently on view at Culver City’s Loudhailer Gallery, asks viewers to consider artistic materials in a fresh and interesting way, but falls somewhat short conceptually. Rock’s abstract, sculptural works combine found components, such as insulation material, with layered experiments in oil paint, silicone, and printing. These idiosyncratic objects are tantalizingly ambiguous in tone but[…..]
As the editors of Art Practical and Daily Serving get ready to take their end-of-summer vacations, we find ourselves swapping reading lists—the articles we’ll dive into once have some uninterrupted time to catch up on what our colleagues have been writing. We’ve gotten so excited about what’s on our lists that we want to share them with our readers. Between now and Labor Day, Daily Serving will feature the efforts[…..]
Matt Sheridan Smith’s current exhibition at Hannah Hoffman Gallery is a portrait show, but not in the conventional sense. Instead of painted likenesses of his subject (there is one representational image; more on that later), Sheridan Smith uses pattern, abstraction, and the readymade to create what he dubs “a sort of speculative portraiture.” Evocative and confounding rather than illuminating, the works in the show obscure[…..]
Pia Camil’s hand-dyed and stitched canvases offer a fresh approach to the well-worn field of geometric abstraction. For her first solo show in Los Angeles, this Mexico City-based artist has created four large, square wall works whose surfaces are divided into loose grids of colored stripes. Each work has a dominant color theme—cream, tan, blue, and purple—with brighter accents of yellow, red, and peach. Within[…..]
The portrait is arguably the clearest illustration of the roles of status and patronage in the arts. Historically, portraits were reserved for the great men (and a few women) who shaped society, religion, and culture—or who had the money to pay for it. They proclaim of their subjects: “I exist and I am important.” In an era when many feel that art should remain above[…..]
Today we bring you Machine Project’s video documentation of Odyssey Odyssey, a play by artist and writer Johanna Kozma. Odyssey Odyssey is a contemporary take on Homer’s Odyssey, performed for an audience of two in a Honda Odyssey. This work was included in The Machine Project Field Guide to L.A. Architecture, as part of Pacific Standard Time Presents: Modern Architecture in L.A., and originally performed from July 10–22, 2013.