Obsessively attuned to the use of space, Tony Hope stages deceptively spare sculptural environments within the gallery of ASHES/ASHES in his first Los Angeles solo exhibition, TH+. The two installations, which are suggestive of one another in their polarity, speak to the larger context of the show as it pertains to the value of manufactured identity. Hope displays a deep understanding of the transience found within subcultural materials that do[…..]
Posts Tagged ‘Los Angeles’
“You need to understand, Patricia, that every Canadian recognizes these paintings,” so explained my friend and guide, a native Torontonian, as we walked through The Idea of North: The Paintings of Lawren Harris at the Hammer Museum. “Canadians who have no other art-historical point of reference know who the Group of Seven are.” This school of early 20th-century Canadian landscape painters occupies the periphery of[…..]
As contemporary art seems to be increasingly the province of the 1%, with continual record-breaking auctions, it may be difficult to appreciate the revolutionary origins of modernism. Early 20th-century art movements like Constructivism, Futurism, and Dada sought an aesthetic, social, and political break with the past, often with utopian goals for the future. A trio of solo shows at Commonwealth & Council aim to reinvigorate[…..]
It’s not too often that whatever MoMA-inspired freak-outs occurring in New York reverberate out to the West Coast. Recently, New Yorkers and Californians alike displayed the kind of commotion around procuring Kraftwerk tickets that a child normally reserves for their first trip to Disneyland. Rain Room and its hype, which had its moment at MoMA, has now also found its way to the West Coast,[…..]
Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]
In a mid-career survey as large as UH-OH: Frances Stark 1991–2015, on view at the Hammer Museum, I’m usually tempted to rush over a couple of galleries and maybe even skip a video here or there. From the get-go, Stark’s exhibition, featuring 125 drawings, collages, paintings, and video installations, had me enthralled with My Best Thing (2011), a 100-minute-long episodic animation based on the artist’s[…..]
Today from our friends at Machine Project in Los Angeles, we bring you a video of selections from Mr. Akita, a play by Asher Hartman starring artist and comedian Cliff Hengst. Mr. Akita was performed at the Tang Teaching Museum and Art Gallery as part of Machine Project: The Platinum Collection on September 26 and 27, 2015.