It’s not too often that whatever MoMA-inspired freak-outs occurring in New York reverberate out to the West Coast. Recently, New Yorkers and Californians alike displayed the kind of commotion around procuring Kraftwerk tickets that a child normally reserves for their first trip to Disneyland. Rain Room and its hype, which had its moment at MoMA, has now also found its way to the West Coast,[…..]
Posts Tagged ‘Los Angeles’
Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]
In a mid-career survey as large as UH-OH: Frances Stark 1991–2015, on view at the Hammer Museum, I’m usually tempted to rush over a couple of galleries and maybe even skip a video here or there. From the get-go, Stark’s exhibition, featuring 125 drawings, collages, paintings, and video installations, had me enthralled with My Best Thing (2011), a 100-minute-long episodic animation based on the artist’s[…..]
Today from our friends at Machine Project in Los Angeles, we bring you a video of selections from Mr. Akita, a play by Asher Hartman starring artist and comedian Cliff Hengst. Mr. Akita was performed at the Tang Teaching Museum and Art Gallery as part of Machine Project: The Platinum Collection on September 26 and 27, 2015.
Elad Lassry’s latest exhibition at David Kordansky commingles two groups of seemingly disparate works: highly wrought wooden sculptures, carved from single slabs of dark walnut, and dated commercial photographs, which have been intervened upon with materials such as acrylic paint, colored wires, and beads. The show attempts to bridge the gap between the two bodies of works by engaging the issue of pictorial representation as[…..]
It is a strange fact that Theodor Adorno, Max Horkheimer, Arnold Schoenberg, Thomas Mann, and Bertolt Brecht all resided in Los Angeles, California, in the 1940s. Unsurprisingly, few of them found their wartime haven a particularly sympathetic milieu. Brecht’s stay was especially ill-fated, ending with his interrogation by the House Un-American Activities Committee (HUAC) and consequent return to Berlin. A decade earlier, the Latvia-born film director[…..]
For the next three years, the estimable Underground Museum, co-founded by husband and wife Noah and Karon Davis, will bring artworks from Museum of Contemporary Art’s (MOCA) permanent collection to its unassuming storefront in the largely black and Latino working-class neighborhoods of West Adams and Crenshaw. Reciprocally, MOCA presents Noah Davis’ Imitation of Wealth, which was first exhibited at the Underground Museum, in its new[…..]