Posts Tagged ‘Maria Porges’

Context Is Everything: Visiting di Rosa

Viola Frey. Studio View— One Man Splitting, 1983; alkyd oil on canvas; 72 x 96 in. Courtesy of di Rosa collection, Napa.

Today from our partners at Art Practical, we bring you an excerpt from author Maria Porges’ essay on the di Rosa in Napa, California. Porges explains: “Other museums may bear the name of a founder, but as far as I know, there really is no place quite like this one—historic home museum, contemporary white-walled space, and sculpture park rolled into one.” This article was originally published on December 4, 2014.[…..]

Cynthia Ona Innis: Shift at Traywick Contemporary

Cynthia Ona Innis.
 Shift, 2014; acrylic and satin on canvas; 
45 x 50 in. Courtesy of the Artist and Traywick Contemporary, Berkeley.

Our partners at Art Practical are celebrating their sixth annual Shotgun! issue, so today we bring you Maria Porges’ review of Cynthia Ona Innis: Shift at Traywick Contemporary in Berkeley, California. This article was originally published on September 25, 2014. Rather than being representations of place, Cynthia Ona Innis’ paintings are evocations of the experience of landscape. Innis favors locations where change is visible and constant—like Iceland, where she visited a year[…..]

Forrest Bess: Seeing Things Invisible at the Berkeley Art Museum

Forrest Bess. Bodies of Little Dead Children, 1949; oil on canvas; 6 x 7 5/8 in. The Menil Collection, Houston. Photo: Paul Hester.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Forrest Bess: Seeing Things Invisible at the Berkeley Art Museum in Berkeley, California. Forrest Bess (1911–1977), a talented, visionary artist whose work was exhibited in[…..]

Will Rogan: MATRIX 253 at Berkeley Art Museum & Pacific Film Archive

Will Rogan. Erase, 2014; still from video, silent; 8:10. Courtesy of the Artist, Altman 
Siegel, San Francisco; and Laurel Gitlen, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Will Rogan’s exhibition at the Berkeley Art Museum & Pacific Film Archive. Viewing Will Rogan’s MATRIX show at the Berkeley Art Museum leaves one with[…..]

Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery in San Francisco. What are we to think about an Egyptian funerary boat powered by[…..]