Posts Tagged ‘Mexico City’

G.T. Pellizzi: Yo Transporto at Sala de Arte Público Siqueiros

G.T. Pellizzi. Yo Transporto, 2016; wood, plywood, Ethafoam. Courtesy of Sala de Arte Público Siqueiros.

Art travels. Within the globalized art scene, its journey takes the many forms of traveling exhibitions, international art fairs, biennials, public contests, and loans from personal or institutional collections. Although this wandering condition may enrich the experience of different public spheres by bringing them closer to popular works and major exhibitions, the accelerated speed at which these movements and spectacles take place commands a huge[…..]

Andrew Birk: Callejero at Anonymous Gallery

Andrew Birk. Callejero, 2016; installation view, Anonymous Gallery, Mexico City. Courtesy the artist and Anonymous Gallery, Mexico City.

Andrew Birk is a gringo. I don’t mention this as an insult—I’m one too, after all—but to give some context to his work. The Portland, Oregon, native has lived in Mexico City since 2011 and has a clear affinity for the cacophony and vibrancy of this dense, sprawling metropolis. It is with the fresh eyes of an outsider that Birk is able to translate the[…..]

The End at Estudio 71

Diego Narvaez. Glacier, 2013; oil on canvas; no dimensions. Courtesy of the artist and Estudio 71, Mexico City. Photo: Jorge Gomez del Campo.

The two-year residency program of Estudio 71, organized by the artist Berta Kolteniuk in collaboration with Sinagoga Histórica, culminates in the exhibition The End. A show like this one, based on the work resulting from several artist residencies, runs the risk of lacking curatorial direction, and indeed the work on display does not immediately convey any aesthetic or conceptual unity. It includes everything from representational[…..]

Mónica Mayer: Si Tiene Dudas… Pregunte at Museo Universitario de Arte Contemporáneo

Mónica Mayer. Lo normal, 1978 (detail); print intervened with stamps, 10 cards. Courtesy of the artist and Museo Universitario Arte Contemporáneo.

Si Tiene Dudas… Pregunte [When in Doubt… Ask] at the Museo Universitario de Arte Contemporáneo (MUAC) is a retrocollective of works by feminist art pioneer Mónica Mayer (b. Mexico City, 1954). “Retrocollective” isn’t a very well-known term[1] and certainly not one that many artists would choose to designate their career retrospective, but Mónica Mayer isn’t like other artists. Since the late ’70s, Mayer has been[…..]

Gilberto Esparza: Cultivos at Laboratorio Arte Alameda

Gilberto Esparza. Plantas autofotosintéticas, 2013-2014; polycarbonate, carbon fiber, stainless steel, silicone, acrylic, electronic circuits, waste water and aquatic ecosystem. Courtesy of Laboratorio Arte Alameda.

Sheltered by darkness, a mysterious octopus-like artifact lies in the nave of the Laboratorio Arte Alameda, a contemporary art museum housed in what was once an ancient convent. Capable of creating light and life by itself, the machine artifact operates by complex mechanisms. Twelve cylinders containing microbial fuel cells are connected to a main Plexiglas tank that houses plants in its interior. Every cylinder carries wastewater from various[…..]

Gloria Carrasco: Prófugos del Metate at the Museo de Arte Popular

Gloria Carrasco. Prófugos del Metate, 2014 (detail); object-art. Courtesy of the artist and Museo de Arte Popular, Mexico D.F. Photo: Jorge Gomez del Campo.

Even if viewers know a little about the cultural and culinary history of Mexico, Gloria Carrasco’s exhibition at the Museo de Arte Popular in Mexico City might appear to be a show dedicated to the phallus. The gallery is filled with dozens of variations on the same object—a long, tapered shape made in a multitude of materials from textiles to ceramics and colors from earthy[…..]

Daniela Libertad: Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar at MARSO

Daniela Libertad. Diagrama 46 [Diagram 46], 2015; graphite on paper. Courtesy of MARSO.

In her solo show at MARSO, Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar [I Push Doors I Should Pull, I Pull Doors I Should Push], Mexican artist Daniela Libertad presents her latest works of sculptures, drawings, videos, objects, and photography. Libertad’s practice has been characterized by her explorations of space and material through relations, rituals, and repetitions. In her exhibition, every piece[…..]