Posts Tagged ‘Mexico City’

Gilberto Esparza: Cultivos at Laboratorio Arte Alameda

Gilberto Esparza. Plantas autofotosintéticas, 2013-2014; polycarbonate, carbon fiber, stainless steel, silicone, acrylic, electronic circuits, waste water and aquatic ecosystem. Courtesy of Laboratorio Arte Alameda.

Sheltered by darkness, a mysterious octopus-like artifact lies in the nave of the Laboratorio Arte Alameda, a contemporary art museum housed in what was once an ancient convent. Capable of creating light and life by itself, the machine artifact operates by complex mechanisms. Twelve cylinders containing microbial fuel cells are connected to a main Plexiglas tank that houses plants in its interior. Every cylinder carries wastewater from various[…..]

Gloria Carrasco: Prófugos del Metate at the Museo de Arte Popular

Gloria Carrasco. Prófugos del Metate, 2014 (detail); object-art. Courtesy of the artist and Museo de Arte Popular, Mexico D.F. Photo: Jorge Gomez del Campo.

Even if viewers know a little about the cultural and culinary history of Mexico, Gloria Carrasco’s exhibition at the Museo de Arte Popular in Mexico City might appear to be a show dedicated to the phallus. The gallery is filled with dozens of variations on the same object—a long, tapered shape made in a multitude of materials from textiles to ceramics and colors from earthy[…..]

Daniela Libertad: Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar at MARSO

Daniela Libertad. Diagrama 46 [Diagram 46], 2015; graphite on paper. Courtesy of MARSO.

In her solo show at MARSO, Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar [I Push Doors I Should Pull, I Pull Doors I Should Push], Mexican artist Daniela Libertad presents her latest works of sculptures, drawings, videos, objects, and photography. Libertad’s practice has been characterized by her explorations of space and material through relations, rituals, and repetitions. In her exhibition, every piece[…..]

Como fantasmas que vienen de las sombras… y en las sombras, se van at Espacio de Arte Contemporáneo

Jazael Olguín. Paisaje molar, 2015; black marker and three paintings. Courtesy of ESPAC.

Like with mazes and haunted houses, there’s a magnetic appeal in unraveling the mysteries that fictitious places offer. We enjoy undefined atmospheres where a strange comfort assures the encounter with the unknown and is met with the thrill of discovery. Because our sense of control struggles with the powerful forces of uncertainty, we are challenged by our own idea of self-representation, despite being aware that[…..]

La Polis Imagi-nada at El Quinto Piso

Liz Misterio. El regreso de Ana Suromal, 2015 (action-art still); action-art and video projection. Courtesy of the artist and El Quinto Piso, Mexico D.F. Photo: Liz Misterio.

What is a city? How can it be conceptualized? How does one create oneself within that geographic and symbolic space? These questions frame the most recent show at El Quinto Piso, La Polis Imagi-nada. The curatorial statement talks about the polis and civic participation in theoretical terms, but the exhibit situates these concepts firmly within the symbolic and geographic realities of Mexico City. El Quinto[…..]

La Ceiba Gráfica: Stamps of a Decade at Museo Nacional de la Estampa

La Ceiba Gráfica's press. Courtesy of Museo Nacional de la Estampa. Photo: Museo Nacional de la Estampa.

On the outskirts of Coatepec—a small, foggy town, located in the forests of Veracruz and known for its coffee production—lies a former hacienda in the village of La Orduña. Built in the 16th century, this magnificent building currently fosters one of Mexico’s most interesting community printmaking centers, La Ceiba Gráfica, which was established in 2005. To commemorate the organization’s first decade, the Museo Nacional de[…..]

Ling Sepúlveda: Un Ciclo de Lavado en Vivo at Biquini Wax

Ling Sepulveda. Un ciclo de lavado en vivo, 2015; Performance at Bikini Wax, Mexico City, May 16, 2015. Photo: Ramiro Chavez

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. Today’s Shotgun Review is the fifth in a series of five written by the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City; author Dorothée Dupuis reviews the work of Ling Sepúlveda at Biquini Wax in Mexico City. Un Ciclo de Lavado en Vivo[…..]