Posts Tagged ‘New Museum’

Chris Burden: Extreme Measures at the New Museum

Chris Burden. Documentation of Selected Works 1971-1974 (film still), 1971-75. SD Video, color and black and white, sound. 34:38 min. Courtesy of The New Museum.

Chris Burden is one of the legendary giants of performance art. In his seminal body pieces from the early 1970s, he orchestrated a series of daredevil brutalities and tests of the body’s resilience. Burden has had a more prolonged career, however, as a large-scale installation artist who masterminds feats of engineering that seem divorced from the body: scaled-down replicas of major bridges, a giant scale[.....]

The Dark Side of Mickey Mouse: Llyn Foulkes at the New Museum

Llyn Foulkes. Pop, 1985-90; mixed media with soundtrack; 84 x 123 x 3 in. Courtesy of the artist's website.

Llyn Foulkes ranks among that rare cadre of artists for whom fame is an optional extra. Over the course of his fifty-year career, the Los Angeles–based multimedia artist and musician has experienced periods of success—for his monumental Pop-influenced paintings of rocks and, decades later, for his zany, large-scale narrative tableaux. But much of his work has been met with silence from critics and buyers, allowing[.....]

“NOW! THAT’S WHAT I CALL ART”: NYC 1993 at the New Museum

Pepon Osorio, "The Scene of the Crime (Whose Crime?)," [Detail] 1993. Mixed medium installation.

NYC 1993: Experimental Jet Set, Trash and No Star is the New Museum’s crash course in the recent history of contemporary art in New York. The exhibition positions 1993 as a signifier for mass cultural change: the thesis being that the events of this year irrevocably directed culture towards its manifestation in 2013. NYC 1993 seems just as concerned, however, with the ways that we[.....]

Springing Up at the New Museum: Phyllida Barlow, Tacita Dean & Nathalie Djurberg

Leaving the crowds behind after the frenzied week of Frieze, I headed down to the New Museum after waiting for a month in anticipation to see some of my favorite artists show under one roof. Though there are numerous shows currently at the New Museum, I was there to see Phyllida Barlow, Tacita Dean and Nathalie Djurberg, all artists with whom I have had minimal[.....]

Get Your Ass To Mars: Takeshi Murata at Ratio 3

The title for Takeshi Murata’s current show—Get Your Ass To Mars—is a command, stolen from Arnold Schwarzenegger’s Hauser/Quaid character in Total Recall, based on Philip K. Dick’s “We Can Remember It For You Wholesale.” For the Hauser/Quaid character, what awaits him on Mars is textbook Dick: a conspiracy based on money and greed; instability in memory and identity, or in discerning reality; plus our own[.....]

Knots Landing: Lynda Benglis at the New Museum

More Failure More!!! -This week’s series on Failure falls in line with our previous rounds on Myth, Utopia and Rebellion. Stay tuned as we attempt to succeed this week with 6 more articles on Failure… FORCE OF FAILURE: DailyServing’s latest week-long series Lynda Benglis is a fearless artist. She added a much-needed sense of humor to first-generation feminism and imbued late 1960s/early ‘70s Post-Minimal sculpture[.....]

George Condo’s Beautiful Dark Twisted Fantasy

Today’s post comes from our friends over at Flavorwire.com, a site dedicated to breaking exciting news in everything contemporary, including visual art. In the spirit of our ongoing content sharing partnership, we bring you an article about the collaboration between George Condo and Kanye West for Kanye’s latest album cover. Some interesting, albeit not really surprising, news: According to Calvin Tomkins’ profile of George Condo[.....]