Posts Tagged ‘New Orleans’

Summer Session – Amer Kobaslija at Arthur Roger Gallery

Amer Kobaslija. Sputnik Sweetheart of New Orleans and the End of the World. 2007. Oil on two panels. 85 x 124 ¼ in.

For the first part of our Summer Session, we’re thinking about labor, and today we’re considering the traditional site of artistic work: the studio. Author Jordan Amirkhani notes: “If the studio has traditionally been a place of solace from reality’s complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today’s society, and the traditions of Western[…..]

Adam Pendleton: Becoming Imperceptible at Contemporary Arts Center New Orleans

Adam Pendleton. Installation Shot of System of Display, X (EXPRESS/Poro secret society mask, Mano, Liberia). 2016. Silkscreen ink on Plexiglas and mirror. Image courtesy of the artist and the Contemporary Art Center of New Orleans.

Curated by Dr. Andrea Andersson, Adam Pendleton: Becoming Imperceptible is the most extensive museum presentation of the artist’s work to date—a significant triumph for a cultural institution located in New Orleans, one of the most racially and politically fraught cities in the southern United States. While the exhibition’s rich display resonates with the variety of material and conceptual strategies at work in Pendleton’s oeuvre, it[…..]

Freestyle: Interview with Rashaad Newsome

Rashaad Newsome. King of Arms, 2013 (performance still); live procession in City Park, New Orleans. Courtesy of the Artist. Photo: Jena Cumbo.

Today, from our friends at Guernica, we bring you curator Laura Blereau in conversation with artist Rashaad Newsome. Newsome says, “I’m playing with gender and roles that are shifting as this elaborate allegory for transformation. The body can change. That’s ultimate emancipation, to just completely change your body, to change your physicality.” This article was originally published on March 17, 2014. Guernica: The kind of art that you create[…..]

John Isiah Walton: Rodeo at The Front

John Isiah Walton. Rodeo, 2016; installation view. Courtesy of the Artist and The Front. Photo: John Isiah Walton.

At first glance, John Isiah Walton’s exhibition Rodeo, now on view at The Front in New Orleans, seems innocuous, even playful, with paintings of bulls diving through Pepto-Bismol pink skies toward men, frozen in space. But after a closer look, a smiling cynicism arises from the works. We, the viewers, are implicated as voyeurs in a decades-old tradition that exploits imprisoned men for entertainment: the[…..]

Connecting Intentionally: The Beginning of Blights Out

Blights out began in 2014 during Prospect.3: Notes for Now with Artist Lisa Sigal’s nstallations on houses in New Oreleans’ mid-city neighborhood. Courtesy of the Artist and Blights Out, New Orleans.

From our friends at Pelican Bomb, today we bring you an interview with Blights Out, a New Orleans project that “prioritizes transparency, interdisciplinary collaboration, community involvement, and creativity.” Blights Out is New York–based artist Lisa Sigal, New Orleans artist Carl Joe Williams, and arts activist Imani Jacqueline Brown. Author Rosemary Reyes says, “Blights Out looks to ignite conversations around the rapid economic development in New Orleans by ‘performing[…..]

James Hoff: Bricking at the Contemporary Arts Center New Orleans

James Hoff. Skywiper No. 50, 2015; Chromaluxe transfer on aluminum; 60 x 40 in. Courtesy of the Artist and Callicoon Fine Arts, New York.

James Hoff: B=R=I=C=K=I=N=G is the first solo museum exhibition of the artist’s “virus paintings”—works shaped and mediated by Hoff’s engagement with digital technology and computer viruses as opposed to brush or paint. Functioning as a series of études to contemporary computer code, these paintings flirt consciously with the provocative gestures and meta-questions of conceptual art and the heavy visual language and history of abstraction. Shaped[…..]

Interview with Tammy Mercure

Interview_Mercure

Author Taylor Murrow talks with Mercure about her pop-up shop project, where the prices reflect the local gender wage gap.