Posts Tagged ‘New Orleans’

Meow Wolf: Moving Still at the Front

Meow Wolf. Moving Still, 2014, Room 4 Installation View. Courtesy of The Front. Photo by Jonathan Traviesa

Meow Wolf, a Santa Fe-based art collective, explores the persistence of collective memory in their deeply introspective exhibit, Moving Still, at the Front in New Orleans. A twelve-person-core collective of artists, Meow Wolf has developed a following around their sensorial and immersive installations that have previously taken the form of a 75-foot ship from the future, The Due Return (2011), built in the Center for[.....]

From the Archives – Post-Fordlândia: A Critical Look at a Failed Development

Factory

Today we bring you a look back at the videos and photographs of Tom Flanagan and Megs Morley, whose project Post-Fordlândia explored the famous village created by Henry Ford in 1928. Author Tori Bush draws parallels between this forsaken 20th-century urban planning project in the Amazon and its counterpart in present-day New Orleans. This article was originally published on September 6, 2012. Post-Fordlândia, the new exhibit[.....]

30 Americans at the Contemporary Arts Center, New Orleans

In a nod to Linda Nochlin’s famous query, Michele Wallace asked, “Why are there no great black artists?”[1] 30 Americans is the response to this question, a beautiful, rambunctious show that gathers the work of 31 African American artists. Unfortunately, 30 Americans, similar to Thelma Golden’s Freestyle in 2001, is not about a specific curatorial theory or thought, but rather a placing of African American[.....]

Camille Henrot: Cities of Ys at the New Orleans Museum of Art

Camille Henrot. Cities of Ys, 2013 installation view. Courtesy of the Artist and Gallery Kamel Mennour

French video artist Camille Henrot creates parallels between the mythical and the contemporary. In her first solo exhibition in the United States at the New Orleans Museum of Art, she investigates the legendary city of Ys in France and the vanishing coastal area of southern Louisiana that is occupied by the ancestral Houma Indians. Coastal erosion, in real and mythical tales, is at the heart[.....]

Messy Love: Bob Snead at Isaac Delgado Fine Art Gallery

Bob Snead. Taylor & Kentridge, 2013; oil on panel, 20 x 32 in. Courtesy of the artist, Photo: Bob Snead

Bedfellows, Bob Snead’s exhibition at Isaac Delgado Fine Arts Gallery, is a study of the intimate and quotidian moments in the life of a family. Staring at the computer, folding laundry, sleeping in a chair—these paintings and digital drawings depict friends and family members in poses of recess. All together, Bedfellows is an experiential narrative that, in the words of John Updike, “give[s] the mundane its[.....]

Dr. Bob in New Orleans

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Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Eva Morgenstein considers the artwork of New Orleans–based Dr. Bob. Tucked away in the Bywater district of New Orleans, Dr. Bob’s Folk Art condenses the city’s[.....]

Post-Fordlândia: A Critical Look at a Failed Development

Chair

Post-Fordlândia, the new exhibit at Good Children Gallery, is a palimpsest for modern times: it calls from faded pasts to warn us of an ill-advised future. A series of high-def videos and large format photographs, taken by Irish artists Tom Flanagan and Megs Morley, depict the now defunct and abandoned town of Fordlândia, the mad brainchild of Henry Ford. This experiment in urban and cultural[.....]